Joseph Guy Ropartz - Psaume 136 "Super flumina Babylonis" (1897) (Piquemal 1994) скачать в хорошем качестве

Joseph Guy Ropartz - Psaume 136 "Super flumina Babylonis" (1897) (Piquemal 1994)

Joseph Guy Ropartz - Psaume 136 "Super flumina Babylonis" (1897). Performed by Chœur Régional Vittoria D'Ile De France & Orchestre Symphonique et Lyrique de Nancy, conducted by Michel Piquemal. Recorded 1994 in Bretagne, France. With Christian Papis (tenor), Didier Henry, Vincent Le Texier (baritones). Record label: Marco Polo. This video of classical music is solely for personal educational purposes. No copyright infringement intended. Videos are always incidental extracts from published works. If you like the music, please consider supporting the artist and the label by buying the music. Discover more lesser known classical gems at ‪‪‪‪‪‪‪‪‪@gorgeousclassicalunknown‬ . From Wikipedia: Joseph Guy Marie Ropartz (15 June 1864 – 22 November 1955) was a French composer and conductor. His compositions included five symphonies, three violin sonatas, cello sonatas, six string quartets, a piano trio and string trio (both in A minor), stage works, a number of choral works and other music, often alluding to his Breton heritage. Ropartz also published poetry. Ropartz was born in Guingamp, Côtes-d'Armor, Brittany. He studied initially at Rennes. In 1885 he entered the Conservatoire de Paris, studying under Théodore Dubois, then Jules Massenet, where he became a close friend of the young Georges Enesco. He later studied the organ under César Franck. He was appointed director of the Nancy Conservatory (at the time a branch of the Paris Conservatory) from 1894 to 1919, where he established classes in viola in 1894, trumpet in 1895, harp and organ in 1897, then trombone in 1900. He also founded the season of symphonic concerts with the newly created orchestra of the Conservatory, ancestor of the Orchestre symphonique et lyrique de Nancy. Ropartz was associated with the Breton cultural renaissance of the era, setting to music the words of Breton writers such as Anatole Le Braz and Charles Le Goffic. He also supported Breton regional autonomy, joining the Breton Regionalist Union in 1898. He also was the Honorary President of the Association des Compositeurs Bretons that was founded in 1912. In the early stages of World War I his friend and fellow composer Albéric Magnard was killed defending his house from German invaders. His house was destroyed, along with several musical manuscripts. Ropartz reconstituted from memory the orchestration of Magnard's opera Guercoeur, which had been lost in the fire. From 1919 to 1929 Ropartz was director of the Strasbourg Conservatory, which he moved into the building of the former parliament of Alsace-Lorraine. At the same time he undertook the direction of the Philharmonic Orchestra of Strasbourg, influencing young students like Charles Munch. Elected in 1949 as a member of the Académie des Beaux-Arts (5th section, musical composition), he succeeded Georges Hüe. Ropartz also served as a juror with Florence Meyer Blumenthal in awarding the Prix Blumenthal, a grant given between 1919 and 1954 to young French painters, sculptors, decorators, engravers, writers, and musicians. He retired in 1929 and withdrew to his manor in Lanloup, Brittany. He continued to compose until 1953, when he became blind. He died in Lanloup in 1955.