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The Golem and the Jewish Superhero

He could have left us his Golem; he should have. What did he fear? | The first 1000 people to use this link will get a free trial of Skillshare Premium Membership: https://skl.sh/jacobgeller03211 Support me:   / jacobgeller   Follow me at:   / yacobg42   Buy Some Sweet Merch: https://store.nebula.app/collections/... Many thanks to Alexander Shonert for allowing me to use his beautiful violin pieces:    • Jewish violin played by Alexander Sho...   Wall art by Carin Walsh: https://www.instagram.com/carinwalsha... Sources: Golem- David Wisniewski, 1996 The Golem- Elie Wiesel, 1983 The Golem Redux: From Prague to Post-Holocaust Fiction- Elizabeth Baer, 2012 Stories of Your Life and Others- Ted Chiang, 2002 El Golem- Jorge Luis Borges, 1964 (Translated by Frank Thomas Smith) Der Golem: Wie er in die Welt kam- Paul Wegener, 1920 The X-Files, Season 4 Episode 15: Kaddish, 1997 Hans Poelzig: The Design of Mystical Film Architecture- Despina Maria Ilinca Iorga, 2014 Architectuul: Hans Poelzig- http://architectuul.com/architect/han... The Role of the Golem in the Making of Frankenstein- Stephen Bertman, 2015 The Golem Legend: Byron Sherwin, 1985 Other Media Used: The Iron Giant, Inglorious Basterds, Minecraft, Dark Souls, The Complete Pokerap (Brian David Gilbert, Polygon), Frankenstein (1931), Final Fantasy X-2, The Cabinet of Dr. Caligari, Shadow of the Colossus, Susano’s Training Theme (Okami), Premonition of Revival (Shadow of the Colossus) Violin Pieces by Alexander Shonert include: Rosinkalech Mit Mandlen Klezmerka Al Taster Ravel’s Kaddish Other Music Provided by Epidemic Sound- Artists used include Silver Maple, Mike Franklyn, Alexandra Woodward, Trabant 33, Ciaran Delany, Rupert Sachs, and Jon Algar Thumbnail by: David Wisniewski and   / hotcyder   Description from Elie Wiesel’s The Golem