Pre-Raphaelites, Victorian Avant-Garde exhibition opens in London скачать в хорошем качестве

Pre-Raphaelites, Victorian Avant-Garde exhibition opens in London

(10 Sep 2012) UK PRE-RAPHAELITE SOURCE: AP TELEVISION RESTRICTIONS: HORIZONS CLIENTS AND AP LIFESTYLE, HEALTH AND TECHNOLOGY CLIENTS ONLY LENGTH: 5.02 AP Television London, UK - September 10, 2012 1.Close pan right of 'Ophelia' by John Everett Millais (1851-2) 2. Close pull focus from 'Paolo e Francesca' by Alexander Munro (1851-2) to 'Dante Alighieri' also by Munro (1856) both in marble 3. Close of 'The Hireling Shepherd' by William Holman Hunt (1851-2) 4. Close zoom of 'Astarte Syriaca' by Dante Gabriel Rossetti (1877) 5. Mid pull from painting to wide of main gallery 6. Close of 'The Shadow of Death' by William Holman Hunt (1870-3) 7. Close pan right of detail of same 8. Mid tracking shot of Tim Barringer 9. SOUNDBITE: (English) Tim Barringer, Professor of History of Art, Yale University: "The pre-Raphaelites were a group of young artists who gathered together in London in 1848 with the intention of reviving pure art in the same way it had been painted many hundreds of years before in the time before Raphael. They saw around them degeneracy, what they saw as decay and they saw a new industrial society. What they wanted to do was invent a new kind of art that had the same purity as the painting of early Masters before the time of Raphael." 10. Close of Sir Lancelot as seen in 'The Lady of Shalott' by William Holman Hunt (1888-1905) 11. Mid of same 12. Mid zoom to detail of bird in same 13. SOUNDBITE: (English) Tim Barringer, Professor of History of Art, Yale University: "Now what is extraordinary about this painting is its rich colour pallet which I'm sure you can perceive, it's vibrant use of new colours that are actually made available through industrial production. Holman Hunt conjures up a kind of medieval world which is vibrant, theatrical, brilliant, and he also gives us a sense of energy and tension which I think is really very much about the 19th Century struggle between women and men." 14. Mid tilt up of stained glass windows by Edward Burne-Jones from 1890 and hung in St James church, Marylebone 15. Pull focus of angel's face 16. Wide of 'Work' by Ford Madox Brown (1852-63) 17. Various details of same 18. SOUNDBITE: (English) Tim Barringer, Professor of History of Art, Yale University "I think we have to look at Ford Madox Brown's great painting 'Work' because this is one time when the pre-Raphaelites as it were shone their bright light on Victorian society itself. Work is an enormous canvas covered in figures and it gives us a sort of panorama of Victorian society with the intellectuals on the right hand side, it shows us the poor on the left hand side but in the middle he does something quite radical which is to show as the hero of this Victorian panorama the labourer, the manual worker who's digging a hole in the road to bury some new water pipes. So instead of the middle class, or the aristocracy or Queen Victoria herself as the hero of the age we see the working man. It's a kind of socialist vision of Victorian England." 19. Close pan right of 'The Doom Fulfilled' by Edward Burne-Jones (1885-8) 20. Close tilt down of 'The Baleful Head' by Edward Burne-Jones (1885-8) 21. Mid of 'Chill October' by John Everett Millais (1870) 22. Wide of Tate curator walking up to painting 23. Close over the shoulder tilt up of curator looking at painting 24. Close of 'King Cophetua and the Beggar Maid' by Edward Burne-Jones (1880-4) 25. Close slow tilt up of 'Don Juan and Haidee' by Ford Madox Brown (1873) 26. Mid of same 27. Mid of 'A Vision of Fiammetta' by Dante Gabriel Rossetti (1878) 28. Close pull focus of eye in same painting LEAD-IN: STORYLINE: ==== Find out more about AP Archive: http://www.aparchive.com/HowWeWork Twitter:   / ap_archive   Facebook:   / aparchives   ​​ Instagram:   / apnews   You can license this story through AP Archive: http://www.aparchive.com/metadata/you...