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Female-led Murder Ballads are actually something of a rarity. Emily and I talked about re-interpreting a male one - apparently there's a female led version of Big Iron she figured out - but we landed on this one. "The Box It Came In". Originally recorded by Wanda Jackson in 1965, her producer Ken Alpin at the time was worried the message might be wrong for her audience. Wanda told him to she'd always loved feisty songs, and it was a hit, staying in the billboard charts for three months. Emily's slowed it down, and Emily Barkered it. It's why I asked her - she's one of the few people alive who's done justice to a Tom Waits cover, and she's a fearless musician in her own right, constantly pushing her own path. I guess she's feisty in her own way. She's taken this track and done something fresh with it, that's very much her vibe. The wonderful Lukas Drinkwater mixed and mastered the audio for us at Polyphonic recording. Emily's music can be found somewhat predictably at https://www.emilybarker.com/ . If you're unfamiliar with her work, you can listen to a "best of" here: https://open.spotify.com/playlist/7vx... And Lukas can be found here: https://www.LukasDrinkwater.com Splitting her time between the UK and Australia, she'll be in your town soon. Just don't look her in the eye. Skeleton Key Songs are traditional "Murder Ballads" that have been re-interpreted, re-performed and re-contextualised over time. It's an open invitational to artists to pick one they're fond of, one they've written or one they want to put their own spin on - an ongoing, intermittent folk archive project. And if you like this sort of thing, you can do all the YouTube cliches, which help more people see cool stuff. I'd sure appreciate it. Shot on @Canon Europe cameras and some weird anamorphic lenses, on location in Stroud, UK.