Jacobus Clemens non Papa: Missa Pro Defunctis Offertorium "Domine Jesu Christe" скачать в хорошем качестве

Jacobus Clemens non Papa: Missa Pro Defunctis Offertorium "Domine Jesu Christe"

Jacobus Clemens non Papa (also Jacques Clément or Jacob Clemens non Papa) (c. 1510 to 1515 -- 1555 or 1556) was a Flemish composer of the Renaissance based for most of his life in Flanders. He was a prolific composer in many of the current styles, and was especially famous for his polyphonic settings of the psalms in Dutch known as the Souterliedekens. Nothing is known of his early life, and even the details of the years of his artistic maturity are sketchy. He may have been born in Middelburg, Zeeland, though the evidence is contradictory; certainly he was from somewhere in modernBelgium or the Netherlands. The first unambiguous reference to him is from the late 1530s, when Pierre Attaingnant published a collection of his chansons in Paris. Between March 1544 and June 1545 he worked as succentor at thecathedral of Bruges, and shortly thereafter he began a business relationship with Tielman Susato, the publisher in Antwerp, which was to last for the rest of his life. From 1545 until 1549 he was probably choirmaster to Philippe de Croy, Duke of Aerschot, one of Charles V's greatest generals, where he preceded Nicolas Gombert. In 1550 he was employed as sanger ende componist ("singer and composer") by the Marian Brotherhood in 's-Hertogenbosch. There is also evidence that he lived and worked in Ypres and Leiden. It is speculated on slender evidence that he also worked in Dordrecht. Details about his death are not known, but he probably died in 1555 or 1556. The 1558 text in Jacobus Vaet's Continuo lacrimas, his deploration on Clemens's death, suggests that he met a violent end, though if true, the circumstances are not given. According to a 1644 source, Clemens was buried at Diksmuide near Ypres in present-day Belgium. Unlike many of his contemporaries, Clemens seems never to have traveled to Italy, with the result that Italian influence is absent in his music. He represents the northern European dialect of the Franco-Flemish style. Clemens was one of the chief representatives of the generation between Josquin and Palestrina and Orlandus Lassus.