Ian McEwan’s Most Boring Book? | What We Can Know Review скачать в хорошем качестве

Ian McEwan’s Most Boring Book? | What We Can Know Review

In this video, Joseph and I review What We Can Know by Ian McEwan, and to be blunt — we thought it was rubbish. This novel felt painfully boring, slow, and weighed down by what comes across as an outdated perspective on modern life, technology, and the future. Rather than feeling insightful or forward-thinking, the book reads like it was written by someone deeply suspicious of social media, digital culture, and contemporary society — without actually understanding them. We talk about how the pacing kills any momentum, how the themes feel recycled and tired, and why the book struggles to say anything meaningful about the future it’s supposedly exploring. Instead of provoking thought, we found ourselves disengaged and frustrated, waiting for something — anything — to happen. In this discussion, we break down why What We Can Know didn’t work for us, whether Ian McEwan’s perspective feels out of step with modern readers, and how a novel about knowledge, history, and the future can feel so lifeless and inert. If you enjoy honest book reviews, critical discussions, and aren’t afraid of hearing negative opinions about big-name authors, this one’s for you. 00:00 – Intro 01:10 – What What We Can Know is about 03:20 – First impressions 05:45 – Why we found it boring 09:30 – Outdated views on society and technology 13:40 – The pacing problem 17:05 – Does the book say anything new? 20:30 – Ian McEwan’s perspective on the future 24:10 – Who might still enjoy this book 26:40 – Final verdict What We Can Know review, Ian McEwan book review, What We Can Know Ian McEwan, boring book review, literary fiction criticism, modern literature review, Ian McEwan criticism, book review podcast, honest book review, overrated novels discussion This video reviews What We Can Know by Ian McEwan and discusses literary fiction, boredom in modern novels, outdated perspectives on social media and technology, generational disconnect in writing, and whether acclaimed authors are still in touch with contemporary life and the future.