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The only sanity left is Departure

- The only sanity left is Departure - The lyrics depict a bleak, oppressive vision of modern urban and societal life as a decaying prison where progress is broken, people move mechanically without awareness, and systems that once promised enlightenment now produce emptiness and boredom; the city becomes both a physical and psychological trap that poisons air, hope, and sanity, while authority, false messiahs, and automated existence amplify fear rather than meaning, leading to the central insistence that escape—leaving the environment, the system, the mindset—is the only remaining form of sanity, freedom, and human agency. - Verse 1 Meaning: Depicts a modern city as a living prison. Architecture, air, and space themselves enforce confinement. Hope exists, but it’s disoriented and ineffective. Lyric part: “Grey towers rise like diseased prison walls” “Hope stumbles forward blind while sanity has died” Chorus Meaning: A direct, obsessive imperative. It functions like an emergency signal or prophecy. The lack of explanation makes it universal and urgent. Lyric part: “Get out, get out, get out, get out—” Verse 2 Meaning: Attacks the illusion of progress and collective consciousness. Society advances in circles, people act without awareness, and former ideals have rotted into monotony. Lyric part: “Progress limps on fractured legs through endless loops” “What once brought light now deals in boredom without sound” Chorus Meaning: The warning repeats, now reinforced by what we’ve learned. Escape is no longer optional; it’s necessary. Lyric part: “Get out, get out, get out, get out—” --- The chorus is a raw, instinctive command rather than a narrative statement. “Get out” functions as an alarm, a mantra, and a warning all at once. It expresses an urgent need to escape a suffocating system—physical, psychological, and societal—before awareness itself is lost. The repetition strips away explanation, turning the phrase into a reflex, as if reason has already failed and only survival remains.