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A treasure from the Latin American heritage: Batalla de Torres by Mexican composer Joseph de Torres y Vergara (1661-1727), who was the organist at the Catedral Metropolitana de la Arquidiócesis de México 🇲🇽 Dr. Kristina Rizzotto, organ I am pleased to invite you to my upcoming concert at this lovely Casavant organ at the Church Of St. Louis, King Of France, in downtown Saint Paul, Minnesota, this Tuesday, April 30, at 12:35. Free admission. 506 Cedar Street Saint Paul, MN 55101-2280 Just steps from the Green Line 10th Street Station About the batalha genre: Organs built in the Iberian tradition are celebrated for their excellent trumpets (en chamade), but their splendid flutes, prestants, cornets and reeds are less widely known. Their characteristic tone-colors, so different from that of the North German organ, is as inspirational as it is necessary for performing the Iberian repertoire. This is particularly true with regard to the batalha genre. From the second half of the 17th century, organists in Spain and Portugal and their colonies delighted in recreating the sounds of the battlefield on their instruments. These many battles, improvised or played from manuscript, were effect-filled, loud and clearly articulated. Many of these pieces have survived, though, unfortunately, they are often anonymous. The directness of the trumpet-en-chamade is such a pleasure. These trumpets (boldly horizontal protruding from the organ front) are so loud that any rustling in the church immediately falls silent. The batalha has a simple harmonic structure; its interest lies principally in the stirring rhythm.