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A man named Orlando lives life to the fullest through three centuries, and, after a long sleep, becomes a woman. A romp through the ages, a meditation on time, gender, and sexuality, Woolf’s Orlando was called the longest love letter ever to be written in literary history. This adaptation uses narrative and a chorus to enact lyrical, instant, and whimsical transformations as we follow Orlando through countless epochs. This title and other Sarah Ruhl title are available at samuelfrench.com Sarah Ruhl's plays include THE OLDEST BOY, STAGE KISS, IN THE NEXT ROOM, OR THE VIBRATOR PLAY (Pulitzer Prize finalist), THE CLEAN HOUSE (Pulitzer Prize finalist, Susan Smith Blackburn Prize), PASSION PLAY, A CYCLE (Pen American Award, The Fourth Freedom Forum Playwriting Award from The Kennedy Center); DEAD MAN'S CELL PHONE (Helen Hayes Award for Best New Play), MELANCHOLY PLAY, EURYDICE, ORLANDO, LATE: A COWBOY SONG. Her plays have been produced around the country and internationally, translated into 14 languages. Her new book of essays, "100 Essays I Don’t Have Time to Write", was published by Faber and Faber. Awards: Helen Merrill Emerging Playwrights Award, Whiting Writers’ Award, MacArthur Fellowship, Lily Award, PEN Center Award for a mid-career playwright. Education: M.F.A., Brown University (with Paula Vogel). Alumna of New Dramatists and 13P. Teaches at Yale School of Drama. www.sarahruhlplaywright.com www.samuelfrench.com