How To Recreate Sunset Lighting | Interior lighting tutorial скачать в хорошем качестве

How To Recreate Sunset Lighting | Interior lighting tutorial

In this video I'm going to show you how to fake Sunset lighting. I will walkthrough my stylistic approach and cinematic lighting techniques. If your an independent filmmaker looking to achieve that sunset interior look then this video is a must watch! My favorite Documentary lens https://amzn.to/3CCR7X1 My Documentary Cinema Luts https://www.alexzarfati.com/luts Rosco Color Gels: https://amzn.to/3fN8ADm My Camera Bodies Ursa 12K https://amzn.to/3AyXpnT Bmpcc 6K Pro https://amzn.to/3TuW7Do My Lenses Sigma lens 24-70mm https://amzn.to/3RltOoK Sigma lens 50mm https://amzn.to/3CCR7X1 Sigma lens 24mm https://amzn.to/3RmYl5R Sigma lens 50-100mm https://amzn.to/3PTUpIF My Drone Mavic Pro 3 https://amzn.to/3AyXpnT My Audio Gear Rode NTG3 https://amzn.to/3wAZIWj Cheaper Lav System https://amzn.to/3Q1eYD1 Better Lav System https://amzn.to/3e0bcwd Zoom Recorder https://amzn.to/3CHmC2q Patch Cable https://amzn.to/3R4a1uy Get this for Rodelink lav set https://amzn.to/3pSyO8H Boom Pole https://amzn.to/3wFwoy8 My Monitor Feelworld Monitor https://amzn.to/3PZLa9C SDI Cable https://amzn.to/3R16cWV HDMI Cable https://amzn.to/3pVpzoo My Lights Aputure 120D II https://amzn.to/3q9ue60 Aputure 300D II https://amzn.to/3RfaXeY Aputure Mini Lights https://amzn.to/3RlUDte Aputure light dome https://amzn.to/3cxC3zs Aputure light dome Mini https://amzn.to/3ATJIl1 Tripods and C-stands Tripod https://amzn.to/3AtMRXn Cheap C-stand https://amzn.to/3PYuYWq Better C-stand https://amzn.to/3Rvw4d8 Accessories Ursa sticky circles for lav https://amzn.to/3Ax6Iov Sandbags https://amzn.to/3e6Fzky Clamps https://amzn.to/3QYSZxS Gaff Tape https://amzn.to/3wETbdo Painters Tape https://amzn.to/3wHAQMN Tool Set https://amzn.to/3AwYLQ9 As an Amazon Associate I earn from qualifying purchases Our first challenge was mimicking sunlight and to do this we used an Aputure 300D and we placed it right outside the kitchen window. And this is what it looks like with just the 300D shooting through the window. Our goal was to get that texture of the natural window light spreading across the back wall of the kitchen and also lightly touching the right side of our subject. One thing that will quickly take your lighting to the next level is to think about Now to achieve that sunset color we used a couple of Rosco tungsten gels to dial in exactly the warmth we were looking for. These gels are awesome. You can get them for super cheap on Amazon and they come with a ton of colors. I'll leave a link in the description if you guys want to check them out. Now looking at this scene it's obviously too dark but the tricky part is adding light without losing that really nice sunset texture and vibe that we have going on. So we added a really soft key light to light our subject and to do this we used an aputure 120D and we shot it through two layers of diffusion. Now the the reason why we used this big scrim and not a soft box is because the bigger the light source the softer the light is going to be. And it was very important to preserve all of those nice shadows in the background caused by our sunlight. I still didnt feel like the scene was complete because the back right corner of the frame was still a little dark and I wanted to add a hair light to our subject just to get a little more separation from the background. So I added a Nanlite Pavo Tube and I set it to 2700K. Because we added a couple of aputure 120s at 5500K I knew I wanted to preserve that warm sunset look in that area where the sun was supposed to be hitting that back wall, but also to add the warm hair light to our subject. The last light that we added was another Nanlite Pavo tube as a practical cabinet light that was really only seen in our B-cam but that solved an exposure problem because that back corner was a little dark and it also added a bit of flare to the shot that I was looking for. The last tip that I have for you guys is when you think about lighting you should think about the style your trying to go for but even more importantly what problems does adding or subtracting the light solve. Think about solving the basics first, Properly expose your image, if its too dark or too bright it doesn't matter how cool the shot looks, its going to limit your ability to color. and try to achieve the stylistic look that your going for but take what your environment is giving you and work with its strengths and weaknesses. Contents of this video: 00:00- Intro 00:37- The first step to cinematic lighting 01:00- Our First Challenge 01:35- Big Cinematography Tip! 02:04- Huge filmmaking tool! 02:27- Our Key Light 02:50- Our Fill Light 03:42- Hair Light 04:01- Finishing touches 04:32- Last tip!