Jerome LoMonaco VS Daniele Barioni 'Come un bel dì di maggio скачать в хорошем качестве

Jerome LoMonaco VS Daniele Barioni 'Come un bel dì di maggio

Jerome LoMonaco VS Daniele Barioni 'Come un bel dì di maggio Today I tried to imitate the singing styles of both tenors at the same time. It was very difficult because they are so similar. I couldn’t sing them the same way — I had to bring out the different characteristics of each tenor. Today, it was quite a challenge to adjust the eight resonance "drawers" within my body, but I still managed to do it and express their distinct features. As a result, my internal resonating chambers received excellent training, so now I feel very confident. Starting tomorrow, I’ll be able to sing the pieces you gave me even better. I look forward to the day when my students improve their skills and sing the styles of Barioni and LoMonaco together with me. Daniele Barioni’s Singing Analysis of “Come un bel dì di maggio” — Based on YouTube Vocal Scholar Follow RealTenor’s “Eight Breathing Technique Drawers” Resonance and Support Framework ✅ Drawer 1: Nasal Resonance Performance Characteristics: Barioni demonstrates excellent focus in the high register. His voice carries great projection and a metallic brightness, indicating skillful use of frontal and nasal vibrations. Technical Evaluation: This drawer is fully engaged. He likely uses a humming-based technique to guide the sound, resulting in a bright and focused tone without excessive sharpness. ✅ Drawer 2: Head Resonance Performance Characteristics: Especially in the high melodic lines like “Come un bel dì…”, he showcases an expansive top resonance space, combining a floating yet grounded tone quality with both lyrical and heroic colors. Technical Evaluation: His head resonance is well connected with the lower drawers (6 and 8), preventing a detached or shallow sound. The tone remains clear and well-balanced. ✅ Drawer 3: Relaxed Throat Area Performance Characteristics: Throughout the performance, there is no sign of vocal strain or throat constriction. His legato and phrasing transitions are smooth and organic, particularly during ornaments and connecting lines. Technical Evaluation: This drawer appears naturally open. Barioni is clearly well-trained and avoids engaging the throat as a primary source of power. ✅ Drawer 4: Chest Resonance Performance Characteristics: The middle and low range is warm and rich. Especially at the beginning phrase “Come un…”, his tone is grounded and well-supported. Technical Evaluation: This drawer is effectively activated and serves as the foundational resonance chamber for his baritonal quality. ✅ Drawer 5: Subscapular Back Region Performance Characteristics: There is no audible shallow or urgent inhalation, suggesting mastery of back expansion and efficient, deep breathing. Technical Evaluation: The back drawer is well-opened. His back provides strong “air storage,” serving as a hidden source of power for the upper register. ✅ Drawer 6: External Obliques / Side Waist Performance Characteristics: The airflow is extremely stable. Even in dynamic shifts like crescendo and decrescendo, there is no collapse of breath support. Technical Evaluation: This drawer functions as the “steering wheel” of breath management and is especially crucial for dynamic control. ✅ Drawer 7: Lower Side Waist and Back Performance Characteristics: In sustained notes and phrase endings, there is a clear sense of “anchored tone” without floating. This indicates deep support capacity. Technical Evaluation: This drawer is highly active and essential for “locking breath” and maintaining sub-abdominal pressure. ✅ Drawer 8: Lower Abdomen / Pelvic Anchor Performance Characteristics: The voice feels “grounded.” The low and middle range is solid, and the high notes do not sound weightless or unanchored. The tone is stable and substantial, with a sense of "earthiness." Technical Evaluation: This is Barioni’s core source of vocal power. His vocal foundation is deeply rooted—a hallmark of traditional Italian bel canto support. 🎯 Overall Evaluation: Daniele Barioni is a classic example of a singer with “all eight drawers fully opened.” His vocal mechanism is highly coordinated, particularly in the synergy between head resonance (2), back expansion (5), and abdominal pressure control (6–7–8). Meanwhile, the nasal (1) and chest (4) drawers provide a bright and warm tonal blend, contributing to his unique voice that balances both heroic and lyrical qualities.