Pandit Vinayak Torvi | Raag Miyan Ki Malhar | Music of India скачать в хорошем качестве

Pandit Vinayak Torvi | Raag Miyan Ki Malhar | Music of India

#darbarfestival | Vinayak Torvi studied under his father, an expert in Harikatha (musical storytelling), as well as the legendary Bhimsen Joshi. Here he sings the rain-bringing Miyan ki Malhar. ► Join our newsletter at http://www.darbar.org/newsletter for the finest in Indian classical music and dance, and watch full length exclusive concerts in pristine HD on the Darbar Player: http://www.darbar.org/darbarplayer --------------------------------------------------------------------- Learn more about the music: Vinayak Torvi is a renowned khayal vocalist from Karnataka who blends the Kirana and Gwalior styles. He studied under his father, an expert in Harikatha (musical storytelling), and then legendary maestro Bhimsen Joshi. Today he tours the world, bringing Hindustani classical singing to new audiences, and also takes time to teach and lecture. Hear more of Vinayak here: -‘Language of Angels’ - Interview Pt. 1 |    • ‘The Language of Angels’ | Interview with ...   -‘Language of Angels’ - Interview Pt. 2 |    • ‘The Language of Angels’ | Interview with ...   The Malhar family of ragas are associated with rejuvenation, heroism, and growth, and are said to summon monsoon rains if sung correctly. Legend has it that Emperor Akbar once asked his court musician Miyan Tansen to sing Deepak, the light-bringing raga, which caused all the lamps near him to ignite, burning so brightly that Tansen’s body began to be scorched. He went to the river to cool himself, but the water started to boil around him, forcing him to set out on a search for someone who could sing the rain-bringing Raag Malhar to cure him. He eventually met two sisters, Tana and Riri, whose evocation of the raga caused a great storm to break, finally cooling him. Miyan Ki Malhar is said to be Tansen’s own variant of the basic Malhar structure. Both use Kafi as their base scale (SRgmPDnS), but Tansen’s version takes a shuddha [natural] Ni in ascent before reverting to a komal [flat] Ni for the descent - some say that the melodic contrast between the two Ni swaras helps clouds to descend. Pa and Sa form a strong core as the vadi and samvadi [king and queen notes]. Some associate the raga with the kadam tree, used for perfume and ornamental craftwork. Listen to more Miyan Ki Malhar here: -Budhaditya Mukherjee (sitar) |    • Epic Sitar in a Thunderstorm | Monsoon Miy...   -Amjad Ali Khan (sarod) |    • Ustad Amjad Ali Khan | Rain Ragas | Megh &...   -Mita Nag (sitar) |    • Sitar Trance | Raag Miyan Ki Malhar | Mita...   Recorded by Darbar in 2014, on location in Bangalore: -Vinayak Torvi (khayal vocal) -Vishwanath Nakod (tabla) -Shruti Bhat (harmonium) -B N Srinath (tanpura) -K M Bhat (tanpura) Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK. All Rights Reserved ©2019 Darbar Arts Culture Heritage Trust