The Air Between The Fingers, Roland Wegerer, Austria, 2015 скачать в хорошем качестве

The Air Between The Fingers, Roland Wegerer, Austria, 2015

'A Finger Performance in 25 Layers. Each Layer is shifted for 0.5 seconds.' Roland Wegerer, Linz, Austria The Air Between The Fingers, 2015 Duration: 4:17min - Aesthetics of Movement Online Performance Exhibition In Collaboration with Stockholm Performance Art, Performance Køkkenet and Body Landscapes International Performance Art Festival Copenhagen Location: www.istanbulperformanceart.com Dates: April 2 - July 2, 2019 Curator : David Sebastian Lopez Restrepo Online Exhibition Coordinator: Pınar Derin Gençer 26 Bodies/Performance Artists located in 15 different countries Alberto Couratier, Chile Anette Friedrich Johannessen, Norway Avital Meshi, U.S. Carol Montealegre and Eric Hoegemeyer, Colombia - U.S. David Alræk, Katrine Patry and Lisa Colette Bysheim, Norway David Ian Bellows/Griess and Elizabeth Lamb, U.S. Helinä Hukkataival, Finland Jasmine Lin, U.S. – Taiwan Laura Cemin and Lena Schwingshandl, Sweden - Austria Luan Machado, Brazil Marina Barsy Janer x Isil Sol Vil, Puerto Rico x Catalunya Marina Páez-Morsh and Eva Pedroza, Germany Nataliia Lisova, Ukraine Plataforma Minima, Chile Roland Wegerer, Austria Samira Engel, Germany Shahrzad Malekian, Iran Tales Frey, Brazil 'Aesthetics of Movement is a selection of video performances that was part of the project “Body Landscapes”, a festival of performance art in the city of Copenhagen. The project appeared in 2017 as a necessity to articulate the individual and collective memory of migrants based in Europe. In 2018 we developed the concept to explore more perspectives of migration in other parts of the world. The festival started with a focus on movement as an elemental action of the migration. Our aim was to construct a net of experiences around the concept of movement and in this way, create a space of interconnectedness between artists from all latitudes. This selection of videos constitute an attempt to highlight the relation between corporality and territoriality as two forces that construct memory and identity. Regarding the artists´ memories about past and present belonging, we proposed movement as connector topic for the video-performances. We asked how artists use performance art to confront ideas of identity, migration, otherness, individual and collective memory through movement. We use performance art as tool and product of all our experiences because we believe that our bodies are the containers of our memories and identities. Therefore, the selection of “Aesthetics of Movement” is a journey through particular bodies, their perspectives and their relation with their history, experiences and context.' David Sebastian Lopez Restrepo