FROM THE PRS ARCHIVE: W.W. Harmon’s Esoteric Manuscript – An Illustrated Presentation скачать в хорошем качестве

FROM THE PRS ARCHIVE: W.W. Harmon’s Esoteric Manuscript – An Illustrated Presentation

Join us for a presentation about this rare manuscript from the PRS collection led by scholars Devon Deimler, PhD, Matt Marble, PhD, and Michael Carter, MFA. In 1891, an optometrist and scholar named William W. Harmon began work on what would become a truly monumental metaphysical manuscript which has been hidden from sight for over 130 years. 284 pages in length, hand illustrated with gorgeous watercolors – some abstract in the style of Swedish artist Hilma af Klint, others gloriously mystical in the style of William Blake – the “Esoteric Manuscript” as it’s currently labeled in the PRS Library Collections, is one of the great lost works of American esoteric art and writing. Although he was known to Manly P. Hall and other members of esoteric circles in the early 20th century – Harmon contributed articles to Hall’s journal The All-Seeing Eye in the late 1920s – his work was, and continues to be, almost completely unknown outside of the metaphysical world. In 1949, scholar A.J. Howie wrote this about Harmon in Horizon, the PRS journal: “He was one of the first students of Theosophy in the United States to receive a copy of The Secret Doctrine. … Apparently because of his profession, he seems to have speculated considerably on the principles of light and color, with frequent references to tonal equivalents." At some point after Harmon completed this massive work of mystical illustration and writing, the manuscript entered the collection of Manly P. Hall and PRS, where it’s remained in the Library vault for decades. The quality of Harmon’s watercolor illustrations in the “Esoteric Manuscript” is stunning: dazzling rays of spectral light emanate from golden orbs, wheels of color rotate around a Zodiac. As a work of esoteric and metaphysical art and illustration, Harmon’s never-before-seen manuscript is, according to artist and esoteric scholar Michael Carter, “a seemingly singular historic document of the early New Age in America and it’s basically unknown outside of a small circle of people who have seen it in person at PRS.” Devon Deimler is a writer, artist, and researcher. She earned her PhD in Mythological Studies with an emphasis in Depth Psychology from Pacifica Graduate Institute with a dissertation on Dionysian aesthetics. She holds a BA in Interdisciplinary Sculpture from the Maryland Institute College of Art. Her experience in the arts includes founding an independent record label, Wildfire Wildfire Productions, and working as Assistant to the Director at the Dennis Hopper Art Trust. She is Associate Core Faculty in Pacifica Graduate Institute’s Mythological Studies and Depth Psychology and Creativity programs; Curator at OPUS Archives and Research Center; and former Scholar-in-Residence and a Contributing Artist at the Philosophical Research Society. Matt Marble is an artist, author, audio producer, and director of the American Museum of Paramusicology ("brilliant and humbling," The Paris Review). Both creatively and through historical research, his work explores the inspired intersections of art and metaphysics and the intuitive disciplines they mutually employ. Matt is the author of Buddhist Bubblegum: Esotericism in the Creative Process of Arthur Russell ("groundbreaking work," New York Times), and the producer/host of Secret Sound, a podcast exploring the metaphysical biographies of American musicians. His writing, research, media production, and personal archive constitute the American Museum of Paramusicology, through which he also publishes the monthly AMP Journal. Matt holds a BA in Speech & Hearing Science from Portland State University, a PhD in music composition from Princeton University, and a black rattlesnake from his dreams. Michael Carter is an artist and educator working in installation, objects, and performance. He received his MFA from Claremont Graduate University. Carter's work addresses metaphysical theories of art and the cultural roots of science, philosophy, and religion in modernity to the contemporary. His artworks and performances investigate and integrate the traditions of new age spirituality with a criticality born of scientific practices. Carter's artwork has been exhibited nationally and internationally including Nicodim Gallery, Rusha & Co., JOAN, The Floating Gallery, Leband Gallery at Loyola Marymount University, Machine Project, and the Hansell Gallery. He has given talks and lectures at the Los Angeles County Museum of Art, the Ojai Valley Theosophical Lodge, and the Philosophical Research Society. Carter is a lecturer at the Geffen Academy at UCLA. www.michaelcarter.studio // @michaelcarter.studio Thank you for supporting PRS and events like these! https://www.prs.org/support-prs.html “Quiet Reflections” by Art of Bow is licensed under CC BY 4.0 DEED https://freemusicarchive.org/music/ar... http://creativecommons.org/licenses/b...