Emily Johnson / Catalyst: Being Future Being at BroadStage скачать в хорошем качестве

Emily Johnson / Catalyst: Being Future Being at BroadStage

To learn more and buy tickets: https://broadstage.org/performances/2... Created by choreographer and writer Emily Johnson, who belongs to the Yup’ik Nation, and featuring a score by Pulitzer Prize-winning Diné composer Raven Chacon, Being Future Being is an evening-length performance that integrates movement, images, story, and sound to Broadstage Sep 8-10, in a kinetically rich social architecture that centers Indigenous thrivance. This is a pay-what-you-choose performance. BroadStage is on the ancestral unceded territory of the Gabrielino, Tongva, and Kizh people. As a tangible action that acknowledges the history and colonial occupation of the land on which we reside, a portion of all ticket sales will be offered to a Los Angeles-based, Indigenous-led organization that works to revitalize Indigenous ways of being and knowing. If you can, please consider paying a higher ticket price, which will include admission to the performance and what we will consider at this point as a symbolic/nominal land usage fee. All ticket prices provide the same general admission access to the show. Being Future Being is commissioned by BroadStage at Santa Monica College, and is a National Performance Network (NPN) Creation and Development Fund Project co-commissioned by Bunnell Street Arts Center (AK), New York Live Arts (NY), Portland Institute for Contemporary Arts (OR), and NPN, with contributions from the Doris Duke Charitable Foundation, Ford Foundation, and the National Endowment for the Arts. Additional commissioning and development support is provided by Abrons Arts Center (NY), Portland Ovations (ME), Bates Dance Festival (ME), Jacob’s Pillow (MA), a Movement Research Residency, funded by the Scherman Foundation’s Katharine S. and Axel G. Rosin Fund; and New York Live Arts’ Live Feed Residency with funding from Rockefeller Brothers Fund, National Endowment for the Arts, New York City Department of Cultural Affairs, Stavros Niarchos Foundation, and the Partners for New Performance. The creation of Being Future Being is made possible in part with support from New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation. BC Sans is an Open Source font that ensures Indigenous languages can be properly represented. Emily Johnson/Catalyst, The Ways We Love and The Ways We Love Better – Monumental Movement Toward Being Future Being(s). Performance view, featuring Jeffrey Gibson’s sculpture Because Once You Enter My House It Becomes Our House, Socrates Sculpture Park, 2020.