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What happened to the Mandalorian's LED Wall VFX? - Ft Framesync скачать в хорошем качестве

What happened to the Mandalorian's LED Wall VFX? - Ft Framesync 23 часа назад

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What happened to the Mandalorian's LED Wall VFX? - Ft Framesync
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What happened to the Mandalorian's LED Wall VFX? - Ft Framesync

Go to https://www.expressvpn.com/cgy and get 4 extra months of ExpressVPN! —-------------------------------------------------------------------------------------------------------------------- I Would Like to Give A Massive Thank You to Phil Griffiths, Framesync and everyone at Southampton Solent University who gave up their time to help me put this video together :) If you want to learn Virtual Production places like Solent University have many opportunities for you to do so: https://www.solent.ac.uk/facilities/v... —-------------------------------------------------------------------------------------------------------------------- Directed By: linkedin.com/in/daniel-scrivener-779864209/ —-------------------------------------------------------------------------------------------------------------------- Framesync Can Be Found At: https://www.framesync.com —-------------------------------------------------------------------------------------------------------------------- Support the Channel On Patreon For Exclusive Videos and Much More:   / cgy200   —-------------------------------------------------------------------------------------------------------------------- Learn VFX For FREE Here: https://rb.gy/zt388v —-------------------------------------------------------------------------------------------------------------------- Join Our Discord Here:   / discord   —-------------------------------------------------------------------------------------------------------------------- Virtual production is the revolutionary approach used to bring impossible worlds, like those in The Mandalorian, to life. By harnessing video game technology, filmmakers project fully three-dimensional landscapes onto massive LED walls, commonly known as “the volume.” When this technique—often simply called virtual production—first gained attention, it was everywhere. It was hailed as a game-changing, one-size-fits-all solution that could transform filmmaking forever. The promise was incredible: shoot anywhere, at any time of day, under any conditions, for as long as you wanted. And then, almost overnight, the buzz seemed to fade. So what happened? To explore that question—and to untangle the many myths surrounding virtual production—I met with Phil Griffiths from Framesync, one of the world leaders in this field. He gave me a behind-the-scenes tour of a virtual production stage at Solent University, helping uncover why this groundbreaking technology appeared to vanish from the spotlight. We also dug into why there’s such widespread misunderstanding about what virtual production actually is—and why some projects that used it looked stunning, while others… let’s just say, ran into a few problems. —-------------------------------------------------------------------------------------------------------------------- TIMESTAMPS: 0:00 - Intro 1:46 - What Actually Is Virtual Production? 2:30 - Why Virtual Production is MUCH older than you think 3:28 - Is it Video Games that go on the walls?? 5:05 - ExpressVPN 6:14 - Back To Video Games 7:55 - Why It Didn't Replace Traditional Filmmaking 10:57 - How The Volume Is Really Getting Used 11:31 - Why It Didn't "Just Work" 13:12 - Why Did The Mandalorian Look So Much Better Than The Rest 15:05 - LED Walls Vs Green Screens 16:02 - The Future Of Virtual Production 17:23 - Outro And Thanks —-------------------------------------------------------------------------------------------------------------------- Follow me on any of these for more VFX Videos :) Instagram:   / cg_why   Tiktok:   / cg_why   Facebook:   / 100085230592716   Twitter:   / cgy_yt   —-------------------------------------------------------------------------------------------------------------------- More VFX analysis here!:    • All Of Our VFX Breakdowns And Analysis   —--------------------------------------------------------------------------------------------------------------------

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