Raag Yaman x Alap x Jod x Jhala Tutorial With Gamaka in Bansuri Flute Zubair Malik скачать в хорошем качестве

Raag Yaman x Alap x Jod x Jhala Tutorial With Gamaka in Bansuri Flute Zubair Malik

#Alap #Jod #Jhala #Raag #Yaman The improvisational nature of Indian music requires the artist to take into consideration the setting, time allowed for his concert, his mood and the feeling he discerns in the audience before he begins to play. The traditional recital begins with the Alap section – the serene exploration of the chosen Raga. Just like an hors d’oeuvre (appetizer) served before the main course of a meal. After this slow introspective beginning, the musician moves on to the Jor. In this part, the basic theme of the Raga is elaborated and the artist tries to bring the emotional mood of the Raga to the surface. There is no drum (Tabla) accompaniment in either Alap or Jor. The Alap and the Jor evolve into the Gat or Bandish, the fixed compositions of the Raga. The Gat is divided into two parts called Vilambit and Drut. Vilambit is set to a slower tempo, while Drut is the fast composition. Here the drums enter with the rhythmic structure of the Gat and its time cycle, the Tal. The step-by-step acceleration of the rhythm in the Gat finally culminates in the Jhala, the final movement and the climax of the Raga. Here the music becomes more and more playful and exciting.