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Rebecca Miller on the Creative Life and Death | Big Think скачать в хорошем качестве

Rebecca Miller on the Creative Life and Death | Big Think 13 лет назад

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Rebecca Miller on the Creative Life and Death  | Big Think
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Rebecca Miller on the Creative Life and Death | Big Think

Rebecca Miller on the Creative Life and Death New videos DAILY: https://bigth.ink/youtube Join Big Think Edge for exclusive videos: https://bigth.ink/Edge ---------------------------------------------------------------------------------- Rebecca Miller talks about why she writes about men confronting death, motherhood and how we all handle things differently ---------------------------------------------------------------------------------- Rebecca Miller: Rebecca Miller is an American author, film director, screenwriter and actress, most known for her films Personal Velocity: Three Portraits (winner of the Independent Spirit John Cassavetes Award), The Ballad of Jack and Rose and Angela, all of which she wrote and directed. She is the daughter of playwright Arthur Miller and Austrian photographer Inge Morath. She studied art at Yale University and initially pursued an acting career, landing parts in the TV-movie The Murder of Mary Phagan (starring Jack Lemmon, Kevin Spacey, and William H. Macy; 1988) and the feature films Regarding Henry (starring Harrison Ford and Annette Bening; 1991), and Consenting Adults (opposite Kevin Kline and Kevin Spacey; 1992). Miller is married to actor Daniel Day-Lewis and and has two sons, Ronan and Cashel. ---------------------------------------------------------------------------------- TRANSCRIPT: Question: Why did you choose the creative life? Rebecca Miller: Well, I, for every person, I think it really depends on people. I’m, unfortunately, you know… Well, not unfortunately, but I’m very lucky to do what I do, but I am one of those people that has to do it, you know. I can not do it. And sometimes I wish I could stop but I can’t. You know, I mean, like, I, of course, I do, I have children, I take care of my children so it’s not like I’m working 24 hours a day. But the sense that, you know, I mean, I just, again, I’m thinking of Trigorin in the, you know, in “The Seagull” because just like he said, “You know, as the girl, as Nina say how glamorous it must be to be a writer and everything?” And he’s saying, “Well, you know, I get up in the morning and I write a story and I finish the story. And just as I’m finishing, another story comes in to my head. And I can’t even like go like take a rest when I have to go this other story. And then there none of them I don’t like any of them when I’m finished with them. And yet, you know, and it’s just [got] like this sort of sense that you have, you must go on. And it’s… I don’t know. And [oddly] there is something true about that. Question: Was there a time you repressed your creativity? Rebecca Miller: I’ve never been able to repress it. I always… I mean, I think I was also raised, you know, by artists to be an artist sort of like tennis players raised their children to be tennis players, got to get out and practice. And there are pros and cons to that, you know? I mean, it’s like there’s… But that’s what I was, I was always meant to do, and so, the idea of repressing it will be like dying. I mean, I would really feel like then I could like just not breathe, that will be another alternative, it would be similar. I don’t think… I think there’ve been times where I haven’t had any, like, I’ve been blocked. I have been blocked in periods but I’ve never been repressed. I mean, I suppose that’s the kind of repression but it comes from inside of myself. I think when you’re a mother, it is, it’s a huge, it’s a very, very difficult thing in some ways. But writing, in a way, is one of the easiest things because you spend, you know, three or four hours writing in the morning and at once they go to school, you know, you can be done by the time they get home. And then the rest, you know, you might be thinking at times but they don’t feel that so much. And, you know, you can still be there for them and, you know… So directing is much more difficult and that’s one of the reasons I don’t, I mean, I only do it every [few] years, you know. Question: How do you overcome creative block? Rebecca Miller: I mean, the time that happened to me, I just waited it out. I think it was just… It was right after I got married and I’m just, I was very happy and also, but also very kind of disorientated and I didn’t know how to handle it ‘cause it never happened to me before. And I just, I actually ended up volunteering in a women’s shelter with working with kids ‘cause I found that I just had to do something that was, in some way, useful. Because I couldn’t stand the fact that, you know, I didn’t have any and I didn’t have kids at that time so obviously so… Read the full transcript at https://bigthink.com/videos/rebecca-m...

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