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The Sound Of Mickey Lee Lane - [Tracks To] Your Mind [Vocal] [USA Bell Acetate] 1968 | DanEdit'18 скачать в хорошем качестве

The Sound Of Mickey Lee Lane - [Tracks To] Your Mind [Vocal] [USA Bell Acetate] 1968 | DanEdit'18 7 лет назад

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The Sound Of Mickey Lee Lane - [Tracks To] Your Mind [Vocal] [USA Bell Acetate] 1968 | DanEdit'18

The Sound Of Mickey Lee Lane - [Tracks To] Your Mind [Vocal] c/w Two Apartments [USA Bell Sound Studios, Inc. Acetate] 01 Mar 1968 | DanEdit'18 Mickey Lee Lane - Your Mind [Vocal to 'Tracks To Your Mind] on the intro you will not believe what this record turns into! Only known copy is a studio acetate - this limited press gives you the chance to own a an unissued version of Hey Sah Lo Ney that will just destroy all and every Northern Soul floor. raresoulman [John Manship] ‘Tracks To Your Mind’ is not a straight instrumental dub of ‘Hey Sah-Lo-Ney’, but rather is augmented by echoed guitar and tack piano. The effect is vaguely psychedelic, but as the track’s popularity on dance floors will attest, the propulsive kick of the original is intact. The record’s release history is strange, including two released on Cobblestone, one a double-a-sided promo, then an appearance on the b-side of a pop 45 by a singer named George McCannon, then at least two bootleg pressings from the 1970s. ---- Mickey Lee Lane He may not have been as famous as many of his 1960s musical contemporaries but Sholom Mayer Schreiber known professionally as Mickey Lee Lane cut his own original path as a recording artist. From the beginning he seemed destined to be a musician. Born with perfect pitch, according to his brother Bernie Schreiber, he was awarded a scholarship to study cello and piano at the prestigious Eastman School of Music in upstate Rochester. Within a year he formed his first band 'The SkyRockers' followed two years later when he teamed with his sister 'Shonnie' to record their songs “Toasted Love” and “Daddy’s Little Baby” for Brunswick Records. Mickey went on to record for Laurie Records in 1960 and released “Dum Dee Dee Dum” and “Night Cap”, a song that received much air play in New York by famed radio personality Murray the K. Simultaneously, Mickey played in many Manhattan and Brooklyn clubs and became a top society musician performing with some of the top bands and orchestras of the time. In the early 1960s, he toured with Dick Clark of “American Bandstand” fame and performed with many of that era’s hit makers including Neil Sedaka, Roy Orbison, the Four Seasons, Randy and the Rainbows and the Chants from Hicksville. As a 22-year-old Mickey snagged an apprentice day gig as a recording engineer at the Dick Charles Recording Studio in Manhattan in 1963. The knowledge he gained at this studio that was known for its warm sound helped him engineer his own recording sessions and he enjoyed some individual success a year later with 'Shaggy Dog' for Philadelphia based Swan Records. He played every instrument on the record as he did on many of his records, including piano, guitar, bass, drums and others. Through the next few years he recorded such songs as 'The Senior Class' and the cracking northern soul spin 'Hey-Sah-Lo-Ney' and an Instrumental track 'Tracks Of Your Mind. ---- Lane, who was born Sholom Mayer Schreiber, who went to high school in Far Rockaway and lived in Lawrence as a teen, died Aug. 18 of lung cancer. He was 70 and had been living in Manhattan for many years. "He was funny," said younger brother Bernard Schreiber, of Cedarhurst. "He was silly. He was a nut. But he was very smart." Born in Rochester on Groundhog Day in 1941, Lane showed an early talent for music. At age 8, he earned a scholarship to Eastman School of Music in Rochester. The family moved to Lawrence in 1956 and within a year, Lane formed a band with chums. He started recording songs with his sister Shonnie and, as the group Mickey and Shonnie Lane, toured. The duo almost signed with Warner Brothers but the contract fell through when Lane's parents refused to let him and his sister move to the West Coast, his brother said. Through the years, Lane played with society bands, wrote hundreds of songs and toured with Dick Clark, his brother said. He was a rockabilly star who could play the piano, guitar, sax, bass, string bass, drums, autoharp, harmonica and tambourine. He also started played "Jewish rock" at weddings, and bar and bat mitzvahs. "He took standard, ritualistic-type Jewish songs and he played it to rock and roll," Schreiber said. From the 1970s to 2000, Lane worked as a recording engineer, helping produce Jewish folk groups including Shlomo Carlebach, The Rabbis' Sons and other entertainers. In 1994, Lane got a call from a record company in England, telling him he was a hit across the pond and asking if he wanted to release a record there. "He thought it was a hoot and a holler," Schreiber said. "It was crazy -- in a good way." A compilation of his songs was released in 1996 by British label Rollercoaster Records, and Lane went to England to perform at a four-day concert. Besides his brother, Bernard, he is survived by brothers, Joel of Lawrence and Sherman Paul "Zal" of Brooklyn. Lane was predeceased by his sister, Shonnie.

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