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My first and only art teacher, music teacher, mere combination of sounds teacher was a man by the name of Charles M Dinwoodie, or "Charl" as we called him, at this insistence - he always said if his name was pronounced that way then he could at least pretend he was French and not an ole country-composer from the Appalachian hills of Appalachia which of course is exactly the thing he was. Perhaps he is best exemplified by the time he and two others - myself being one of those fortunate characters - went for an early morning breakfast at a local diner. We all had eggs that morning. I requested that mine be scrambled, William asked for two of them easy-side up and "Charl"? He said - and I quote - "I'll just take mine on a plate". A bit simple-minded in verbal thought to be sure but.... While there are no recordings of Mr. Dinwoodie's oeuvre either in sound or on paper, you can, if you like, get at least an inkling of his brilliance as a man, musician and composer by listening to "Joseph P Farnsworth The Third Junior" while being aware I have taken great inspiration from him over the seeming eons of time since his passing. Recording notes: Piano prepared with violin soundpost adjusting tools, various bottle caps including 5 Don Q Puerto Rican rum, a broken ceramic mug, a 16 oz can of Carlsberg beer (empty), two bungee cords, etc., etc. Tones sustained by middle pedal-ed F# G# A# C# D# in the middle register. no after recording processing, iPhone mic only device used other than a Steinway Model M in the creation and production of the results you may - if God is willing and the creek don't rise - hear. personal motif based of a rising Eb - Bb - C appears in section 2