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0:00 E lucevan le stelle from Puccini's Tosca 2:32 Ombra mai fu Handel's Xerxes 5:49 Crucifux by Rossini 8:57 Bois Epas by Jean Baptsite Lully 12:00 Una furtiva lagrima from Donizetti's Lelsir da'amor 17:15 Santa lucia by Teodoro cottrau 21:22 A dream by josef patternack 24:36 O trusting eyes by Clarence G gartner 27:10 Ma se m'e forza perderti from Verdi's un ballo in maschera 31:20 Ingemisco from Verdi's Requiem 35:31 Addio mia bella napoli by Nicola Valente 38:42 Ah la paterna mano from Verdi's Macbeth 41:20 Ach so fromm from Von Flotow's Martha sung in Italian 45:21 Di tu se fedele from Verdi's un ballo in maschera 48:12 Celeste aida from Verdi's Aida 51:28 For you alone by O Rheely gheel 53:28 O sole mio by Di Capua 57:04 Core ngrato by Cardillo 01:01:30 Rachel quand du seigneur from Halevy's La juive 01:05:44 Spirito gentil from Donizetti's la favorita 01:09:29 no pagliaccio non son from Leoncavello's Pagliacci 01:12:38 Vesti la giubba from Leoncavello's Pagliacci 01:15:04 Crucifix by jean baptiste faure WITH MARCEL JOURNET!!!!! 01:18:17 O tu che in sena from Verdi's la forza del destino 01:22:35 Serenata by C. A. Bracco 01:26:03 Fenesta che lucive by Guglielmo Cottrau 01:29:41 Senza nisciuno by Ernesto De Curtis 01:32:28 Serenata by Adolfo bracco THE END :) Enrico Caruso[a] (25 February 1873 – 2 August 1921) was an Italian operatic tenor, who sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles. Generally recognized as the first international recording star, Caruso made around 250 commercially released recordings from 1902 to 1920. Enrico Caruso was born in Naples in the via Santi Giovanni e Paolo n° 7 on 25 February 1873. He was baptised the next day in the adjacent Church of San Giovanni e Paolo. His parents originally came from Piedimonte d'Alife (now called Piedimonte Matese), in the Province of Caserta in Campania, Southern Italy.[6] Caruso was the third of seven children and one of only three to survive infancy. For decades, it was widely reported that Caruso's parents had 21 children, 18 of whom died in infancy. However, based on genealogical research (amongst others conducted by Caruso family friend Guido D'Onofrio), biographers Pierre Key,[7] Francis Robinson,[8] and Enrico Caruso Jr. and Andrew Farkas,[9] have proven this to be untrue. Caruso himself and his brother Giovanni may have been the source of the exaggerated number.[9] Caruso's widow Dorothy also included the story in her best-selling memoir about her husband, published in 1945. She allegedly quoted the tenor, speaking of his mother, Anna Caruso (née Baldini): "She had twenty-one children. Twenty boys and one girl – too many. I am number nineteen boy."[10] The Caruso family was poor, but not destitute. Marcellino Caruso, the tenor's father, was a mechanic and foundry worker. Initially, Marcellino thought his son should adopt the same trade, and at the age of 11, the boy was apprenticed to a mechanical engineer who constructed and maintained public water fountains. Whenever visiting Naples in future years, Caruso liked to point out a certain fountain that he had helped to install. Caruso later worked alongside his father at the Meuricoffre factory in Naples. At his mother's insistence, he also attended school for a time, receiving a basic education under the tutelage of a local priest. He learned to write in a handsome script and studied technical draftsmanship.[11] At this time, he sang in a church choir, and his voice showed enough promise for him to contemplate a possible career in music. Caruso was encouraged in his early musical ambitions by his mother, who died in 1888. To help support his family, he worked as a street singer in Naples and performed at cafes and soirées. In 1894, his progress as a paid entertainer was interrupted, however, by 45 days of compulsory military service, which was completed for him by his brother, Giovanni. Caruso resumed his vocal studies upon being discharged from the army. On 23 November 1903, Caruso made his debut with the Metropolitan Opera in New York City. The gap between his London and New York engagements had been filled by a series of performances in Italy, Portugal and South America. Caruso's contract had been negotiated by his agent, the banker and impresario Pasquale Simonelli. Caruso's Met debut was in a new production of Rigoletto with Marcella Sembrich singing opposite him as Gilda. A few months later, Caruso began his lifelong association with the Victor Talking Machine Company. He made his first American records on 1 February 1904, having signed a lucrative financial deal with Victor. Thereafter, his recording career ran in concert with his Met career, each bolstering the other, until his death in 1921.