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00:00 - Context: DCFC's rise to prominence, The OC, The Postal Service, tensions 01:40 - The Writing Process: Brian Eno, Long-Distance Heartbreak, Woody Allen 09:02 - Legacy: Transatlanticism's Long Tail, Six Feet Under At the tail-end of 2002, Death Cab for Cutie had made a name for themselves as a promising indie band on the rise. They were also teetering on the edge of the cultural mainstream, having been referenced in the teen-drama series The OC. But tensions were high on the group following their tour of The Photo Album. They decided to take a break - vocalist Ben Gibbard shifted focus temporarily to his glitch-pop outfit The Postal Service, and guitarist Chris Walla spent time behind the mixing desk, working as a jobbing producer for various indie upstarts. After the break, at the end of 2002, the band went into Seattle's Hall of Justice studios to record what would go on to become Transatlanticism, a concept record exploring the depth of feelings one feels in the heady push and pull of long-distance romance. Let's dive into this record together, looking at the context of the record, the way the band used Brian Eno's Oblique Strategies to experiment in sound, and choice cuts and lyrics from the album. Comment, like and subscribe for more videos. #deathcabforcutie #transatlanticism #videoessay #dcfcfans #dcfc #theoc #bengibbard #albumreview #albumbreakdown #indie #indiemusic #musicdocumentary #documentary Soundtrack: Homespun looped versions of various Death Cab for Cutie songs: The Face that Launched 1000 Sh*ts, Lightness (Demo), Your Bruise, Scientist Studies and Transatlanticism. Thanks for watching this video, and please like and subscribe for more like this from The Title Track. *** Note: None of the footage in this video is mine, and I do not own the rights, nor to the songs. Any copyright infringement is not intended, and this video should be considered as falling under 'fair use' classification.