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Go Grow by Rachel Singh is a song she wrote while studying music in the UK. It came from a deeply personal place, honest, and instinctive. What stayed with me over the years wasn’t just the melody, but the restraint in the arrangement, the choice of instruments, and the patience in how the song unfolded. It wasn’t trying to resolve anything. It simply existed, and that stayed with me. Years later, I heard Arooj Aftab’s “Mohabbat.” A ghazal written by Hafeez Hoshiarpuri, reinterpreted by a Pakistani singer drawing from South Asian classical traditions, yet presented in a contemporary, minimal form. The first time I heard it, I didn’t immediately understand why it affected me so strongly. I just knew it did. It took time to realise what I was responding to. These were two songs from completely different origins, one written by a young upcoming musician studying in the UK, other rooted in centuries-old poetic and musical traditions of the subcontinent. Different languages. And yet, emotionally, they seemed to arrive at the same place. Both songs allow silence to carry meaning. Both move slowly. The instruments don’t lead the emotion; they hold space for it. The longing in them isn’t dramatic it’s patient, deeply human. What connected them for me wasn’t similarity in sound, but similarity in feeling. A shared emotional frequency. Proof that longing, love, and vulnerability surface wherever honesty does. I couldn’t ignore that connection once I noticed it. I didn’t want to compare the two or collapse their differences. I wanted to let them exist together, to explore how two unrelated paths, separated by geography, language, and history, could still converge so precisely. This merge is my way of responding to that feeling. Not an attempt to unify them, but to acknowledge the space where they quietly meet. CAST : RITI SONI FILM BY: KABIR SAHNI & AKASH ROY