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nms303 v01 1 tkArW1

Inherited from the famous "thirty glorious years" that preceded the aftermath of industrialization pushed to its paroxysm since the two great world wars, the end of the twentieth century revealed a disenchanted and breathless world. The social, cultural, economic and political contexts on both sides of the Atlantic brought to light the fragility of a society that was being rebuilt on the basis of unfulfilled promises, growing inequalities and a dilapidated post-industrial urban environment. For the record, it is in such a landscape that new technologies will emerge and become part of our daily lives. The stage is set! Let's continue. The period between 1985 and 1995 was a major turning point in the development and expansion of a new genre of music, TECHNO. During this decade, the movement, which was marginal at the beginning, grew considerably to the point of having conquered all the continents and seduced a very large number of audiences. At that time, a real community was born against a backdrop of thunderous sound vibrations and libertarian demands. As with any emerging current, the analysis of the phenomenon is quite complex. A few enthusiasts, from the first fans to the younger generations, historians, sociologists, philosophers, psychologists, journalists, the actors themselves of this incredible epic, can each draw a portrait, sometimes even quite thorough, detailed, of the rise of a past electronic musical movement, in barely ten years, from the status of "crazy weirdness" to a "bankable" product! In short, in any case, without making here a study of customs or an educational documentary, I have chosen to illustrate, in "old school" mode, through a few short presentations, the path of a techno movement to which I joined as soon as it was established on the European continent. Like so many other young Belgians of the time, I had a front-row seat to the emergence of a counterculture that lost its way somewhat along the way.