Secondary Triads in C Major - Harmony I, 11 скачать в хорошем качестве

Secondary Triads in C Major - Harmony I, 11

We begin this segment with an introduction to the Secondary Triads of C Major. At the end of the segment you, the student, will receive an Assignment to transpose everything from C Major to all the other major keys. You will also have to practice playing everything on a piano keyboard, as well as singing up and down each triad with your voice, in solfège. That said, let’s revisit the realm of C Major. First, practice playing the seven scale triads shown here, up and down your piano keyboard, with each hand. We recall that the Primary Triads sit on the first, fourth, and fifth degrees of the Major Scale, the tonic, subdominant, and dominant, and are named after these scale degrees. That was a review. A secondary set of triads is built on the second, third, sixth and seventh degrees of the C Major Scale. Someone sometime must have seconded the motion to name this second group of triads the “Secondary Triads,” so we’re stuck with them. Whereas the Primary Triads in the Major Scale are all Major Triads, three of the Secondary Triads of the Major Scale are Minor, each composed of a Minor Third, and a Perfect Fifth, as measured up from the root of every chord. With one variation. ... The Triad built on the seventh degree of the scale, is composed of a Minor Third and a Diminished Fifth. We'll call it a Diminished Triad. The Diminished Fifth is a dissonant interval, which makes this triad a Dependent Chord, having a built-in tension that wants to resolve into a consonant chord. We mark each Secondary Triad with a lower-case Roman numeral below the Bass note, to represent the minor third of the chord. Notice that we add a small, superscript “o” [ᵒ] to the chord symbol of the seventh scale degree [viiᵒ], to represent the dissonant, diminished fifth interval of this last triad. So the diatonic triads of the C Major Scale are configured and labeled as follows: Roman I Major, ii Minor, iii Minor, IV Major, V Major, vi Minor, and viiᵒ Diminished. (…) CREDITS AND LINKS Empire State [Building] and Manhattan South, NYU, by Henning Klokkerasen: https://flic.kr/p/qYZZQz Creative commons license: https://creativecommons.org/licenses/... Jadassohn, Dr. Salomon. Elementary Principles of Harmony for School and Self-Instruction. Breitkopf and Hartel, 1895. A Public Domain work. ________. Manual of Harmony. Breitkopf and Hartel, 1890. A Public Domain work. Internet Archive Links – must copy url and paste into browser – for download of [Elementary Principles]: https://archive.org/details/elementar... Internet Archive Links – must copy url and paste into browser – for download of [Harmony]: https://archive.org/details/manualhar... Public Domain legal code: https://creativecommons.org/publicdom... Harmony in Music Playlist:    • How to Manage Chords - Harmony I, 01   Fundamentals of Music Playlist:    • Music Fundamentals   Elements of Music Notation Playlist:    • Elements of Music Notation   Piano Beginnings Playlist:    • Piano Beginnings