Mann's Cans Episode 12: Violectric V281, and Compare/Contrast Tube Amplifiers Vs. Solid State скачать в хорошем качестве

Mann's Cans Episode 12: Violectric V281, and Compare/Contrast Tube Amplifiers Vs. Solid State

Hello again! Read the time stamps below to skip sections you aren’t interested in: PART 1: INTRODUCING THE VIOLECTRIC V281 0:00-1:50 – Introduction (no talk about audio stuff) 1:50-3:49 – Overview of Violectric V281: Inputs, Outputs, and Knobs 3:50-6:44 – Output Power of the V281 PART 2: CONTRAST/COMPARISON OF AUDIO CHARACTERISTICS BETWEEN SOLID STATE, AND TUBE AMPLIFIERS 6:47-8:06 – Why I am Comparing the V281 to the Bottlehead Mainline Amplifier: Tube vs. Solid State 8:08-9:49 – Soundstage & Separation 9:50-12:59 – Speed, Transients, and Overall Sound Signature 13:00-14:07 – Using the Schiit Yggdrasil with the V281; the Benefits of a Dedicated DAC 14:08-15:10 - Conclusion Links for topics and products discussed in this video: CanJam (Head-Fi organized audio exhibitions): https://canjamglobal.com/about/ Violectric V281 Link: https://www.violectric.com/product-pa... Bottlehead Mainline Link: https://bottlehead.com/?product=mainl... Schiit Yggdrasil DAC: https://www.schiit.com/products/yggdr... Here are previous episodes where I discuss some of the equipment mentioned in this entry (watching each of these in order will present an overarching 'theme'): Episode 9: Bottlehead Mainline:    • Mann's Cans Episode 8: Bottlehead Mainline   Episode 10: Astell&Kern AK320 (digital audio player):    • Mann's Cans Episode 10: DAPs (Astell&Kern,...   Episode 11: Schiit Yggdrasil DAC:    • Mann's Cans Episode 11: Schiit Yggdrasil DAC   NOTE: In the beginning of the episode, I mention that I "already [had] the Yggdrasil" when I bought the V281. Later on, I state that I used the AK320 before I got the Yggy. To better clarify, I purchased the V281 knowing that eventually I would purchase a dedicated DAC. Therefore, I chose not to add the DAC option with the V281. Title song: "Lotion" by Greenskeepers (cover) Performed and recorded by Kc Mann.