Монахиня Иулиания (Ирина Денисова) - Херувимская песнь [4k 360°] скачать в хорошем качестве

Монахиня Иулиания (Ирина Денисова) - Херувимская песнь [4k 360°]

This recording uses a 360° image and Ambisonic sound. We recommend playing with your smartphone and headphones via the YouTube application. Thanks to this, you will be able to experience the interactive, immersive sound and vision in the best way. YouTube platform only supports 1st order Ambisonics (1OA), which means low spatial resolution of the auditory image. The recording was also posted on the HOAST platform, where you can find the version with the 4th order Ambisonics (4OA); we warmly invite you to check that version as well! https://hoast.iem.at/channel/cxzT43bT... This recording was created at the time when many people got vaccinated for COVID-19, thus the restrictions were loosened enough so the Academic Choir of Gdańsk University of Technology could return to rehearsals. This was after a long break, during which the choir practiced singing in a remote manner. In order to celebrate the possibility of regular, normal rehearsing, two-day weekend choral workshops were carried out. This was very essential for the choir after such long break. The workshops ended with a recording, of which one piece is presented in this video. Irina Denisova is a prominent choral conductor and composer in Belarus. In November 2007 she decided to pledge herself to the Lord, so she became a novice, and then a nun, in St Elisabeth Convent in Minsk. She accepted a name of mother Juliania. Nun Juliania is not a favourer of author’s music in the Church. She thinks that a church needs a beauty of another kind – ascetic, modest, free of emotional outbursts and harmonic curves. She believes everything has been written before us. Not even written – given by God; and these God-given melodies comprise the body of the Znamenny or Byzantine chants. "Ize Heruvimi" is a hymn performed during the Grand Entry, that is the celebration of carrying gifts from the sacrifice to the altar, which precedes the Divine Liturgy, or Holy Eucharist. The text of the song comes from the liturgy of St. John Chrysostom and St. Basil the Great. It was introduced into the rites of the Liturgy of the Faithful in the 6th century. The message of this piece is that in order to reach the Kingdom of Heaven, one must break the bonds that hold man to the ground, in his daily existence, literally "put aside all cares of life". The song consists of two parts that are performed jointly during artistic performances, but separately during services. The first one is slower, has a calm and meditative character, its function is to accompany the prayers of the deacon and incense of the Sacred Gifts, the altar, the iconostasis, the priest and the faithful. Then the Cherubim chant is recited three times by the priest and deacon, after which the Grand Entrance is performed, framed with the second part of the piece - faster and more lively. The recording was performed with a total of 8 microphones. The first microphone, Zylia ZM-1 is a third-order Ambisonic microphone (3OA); it was the main microphone in the middle of the stage. The second microphone, Rode NT-SF1, is a first-order Ambisonic microphone, and was placed approximately 5 m from the choir to capture the far field spatial ambient sound. The remaining microphones supported the choir sections. The mixing was conducted with great attention to detail, especially to the spatial alignment of signals. The basis of the mix was the third-order ambisonic sound from the Zylia ZM-1 microphone. The supporting microphones were mixed with object approach in fifth-order of Ambisonics, mapping their original position from the recording. This was achieved with IEM StereoEncoder VST plugin. Also, some reverb was added, in order to fill the auditory image and better combine 5th order with 3rd and 1st order Ambisonic tracks. The reverb was achieved with IEM’s FdnReverb VST plugin. Moreover, the reverb was projected from the upper part of the sphere – with the use of IEM’s AllRADecoder VST plugin and MultiEncoder plugin. First, the reverb track was decoded to the loudspeaker array and then encoded back to Ambisonics, placing the sound sources higher on the sphere. Thanks to this, the artistic style of the work was captured and emphasized, its angelic, divine aura. Academic Choir of Gdańsk University of Technology (AChPG) Conductor: Mariusz Mróz Date: June 27, 2021 Place: Aula of Gdańsk University of Technology Sound, editing: Bartłomiej 'Przymrozek' Mróz -------------------------------------------------- FB:   / achpg   IG:   / chor.pg   www: https://chor.pg.edu.pl streaming: https://ffm.bio/achpg