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Matières Fécales F/W25 The Other This collection is about being fearless in your identity. It’s about walking into a room with your head held high, even if nobody wants you there. It’s about getting bullied every day but still finding the courage to wake up and do it all over again. It’s about being rejected by your family simply because of who you love and what you love. It’s about never being able to feel fully safe and comfortable walking down the street in public, no matter where you are. It’s about the pain and suffering of being the other within humanity. It’s about letting your dreams and fantasies take over your mind in hopes of covering the deep sorrows of your reality. It’s about dealing with so much hatred on a daily basis but still finding a way to spread joy through self-expression. It’s about your soul coming to life in your imagination because it’s too dangerous to let it come out in real life. It’s about finding others who share the same internal suffering as you do and together transforming it into something beautiful. It’s about our community that yearns to feel human through transforming into something beyond it. This isn’t our first collection, but this is our first time manufacturing one. It’s taken us a full decade to get to this point. Since the start, it’s been about creating our own world; a world in which we can be free to express ourselves without limits, without fear. Every look was sketched 10 months ago in one sitting by Steven in our Parisian 30 m2 apartment in the 2ème arrondissement on top of a pizza shop. A singular vision transformed into lines on paper. Styling, makeup, accessories, and shoes all created from those exact blueprints. Our story begins with silhouettes that are sculpted and elegantly distorted into alienesque daywear. Hannah, wearing a razor-sharp tailored skirt suit in an Italian cashmere wool blend, was the first look sketched. Following that is a lineup playing on classic tropes of sophistication distorted and reimagined on a clan of bald and eyebrowless alienesque beauties. The tension within duality, a constant thematic in our work and our relationship as designers. Bold high-neck shearling outerwear and cropped concave bombers act as protective gear for transformation like a butterfly needs to cocoon itself. Sculpted tailoring is worn with our infamous Destroy jeans, a Madonna favourite. We first made these jeans 10 years ago for our “Abondonner” collection, shot in Steven’s mother’s low-income housing communal laundry room in Montreal. Introducing new destroy offerings like the chic unravelled suits in custom tweed made in France with leatherette strands weaved in and our slashed cut-out jersey dress wrapping around the figure. Cozy but wrecked mohair knit sets and relaxed cross-seam denim are pumped with posture collar silhouettes. The horn bag is our take on a power dressing bag accentuated with a BDSM whip clochette. Made in sclera black and toile beige air-brushed leather fabricated in Italy. Drawing heels as a child was where it all started. Christian Louboutin’s red bottoms always felt like an act of defiance for bold beauty within a minefield of demure fashion. The collaboration feels like a match made in heaven and hell. We curved the pumps and distorted the classics to create something that looks straight out of a sketch. Haute couture finale looks are worn by our friends and chosen family, like Lewis G Burton, radical trans performance artist and mother of the London underground scene, through her INFERNO platform. When we had no money and nowhere to sleep, Lewis took care of us and helped us find gigs during our London days. Jenna Marvin, trans Russian activist and another extreme performance artist, is setting new heights for our manifesto “Provoke Society”. The unreal Debra Shaw wears the Winged Tuxedo, a suit sketched for her 10 months ago when we first created the debut collection. Imagery of Debra in McQueen by Nick Knight gave us insight into a world of beauty we never knew was possible or valid. It gave us permission and access to dream without fear. Hannah’s finale titled “Ange Arc” is a wrapped micro hand-pleated chiffon dress with couture mutant wings bursting out of the bust; our take on the French couturier wedding dress archetype. A symbol of all the guardian angels who protected us during our battle to get here. Styled by Matières Fécales #matieresfecales Christian Louboutin for Matières Fécales F/W 25 Défilé #christianlouboutin Makeup by Daniel Sallstrom for MAC Cosmetics #Macbackstage Hair by Gabriel De Fries at Saint Germain Agency using Less Is More Produced by Premier Cri Symphony No.5 by Gustav Mahler performed by Dae Casting by Jane Morineau and Tanguy Gavignet Nails by Lora De Sousa using Christian Louboutin Nail Polish Press by Lucien Pages Communication Video by Adrien Gontier / Famous Production