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In this recorded conversation, Professor Tomasz Wiśniewski of the University of Gdańsk speaks with David Glass about the artistic and pedagogical foundations of the Marathon Acting School Project. Throughout the dialogue, Tomasz expresses his genuine and deep interest in the project, emphasising its innovative methodology, its embodied research approach, and its relevance to contemporary performance training. He highlights the work of Kiki Selioni which is part of her postdoctoral research with the Royal Central School of Speech and Drama, University of London- . For Tomasz, this connection underscores the project’s academic rigour and its contribution to international discourse on movement, dramaturgy, and performer development. Tomasz describes the Marathon Acting School as a rare and timely initiative, one that bridges artistic practice, research, and community engagement. His reflections reveal how the project resonates with broader questions in performance studies and why it stands out as a model of innovative actor training.