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Juliet Prowse danced with Elvis. Stole scenes from Sinatra. And, for a time, was introduced as the most famous dancer in the world. But how did she go from South African ballet student… to global dance sensation and reigning queen of Las Vegas? In this episode of The Rest of the Story on the Hey, Dancer! podcast, we trace her path from early ballet brilliance to an unexpected break with Jack Cole, a life-changing encounter with Hermes Pan, and her scene-stealing debut in Can-Can. Not to mention, her chemistry with Elvis in G.I. Blues — and her bold decision to walk away from a major Hollywood production. And just how did she become Entertainer of the Year in Vegas and sell out theatres in London? She dazzled. She defied expectations. And I’ll even share a bit about my own connection to her. It’s time you knew her story. Conceived, starring, written, and researched by: Miller Daurey Please like, and share the podcast! Don't forget to subscribe: / @backtogreat And follow my Instagram for daily dance inspo: / backtogreat Thank you so much for supporting my journey! 💫❤️🙏🏼 Credit for the clips used in the video (names are YouTube handles): 1:02 min: TheBharatArchives 3:52 min: britishpathe 5:10 min: ClassicMoviesChanel 7:48 min: thekinolibrary 8:42 min: sezenu264 9:19 min: GermanYukavsky 9:41 min: Petittwo 10:04 min: MoviieVista2024 10:07 min: NATVUnderGround 11:12 min: ClassicSilverScreen 13:10 min: dorcm1973 13:53 min: ChuckD79 14:10 min: danielbotha1428 15:12 min: mybestoldmusicvideo The documentary, It Isn't Easy, featuring Prowse, was of significant help re: my research for this episode. Some of the stills in my video are from this doc. You can check it out on Daniel Botha's (Writer, Producer and Director) YouTube: @danielbotha1428 This video complies with Section 107 of the U.S. Copyright Act of 1976, which allows for the limited use of copyrighted material for purposes such as criticism, commentary, education, and research. All third-party footage is used transformatively, accompanied by original narration, verified historical context, and dance-specific analysis. I do not claim ownership of any copyrighted material; all clips are included strictly for educational and documentary purposes, supporting biographical storytelling and cultural commentary. Films, television appearances, and archival materials featured include: Can-Can (1960, 20th Century Fox) Gentlemen Marry Brunettes (1955, United Artists) G.I. Blues (1960, Paramount Pictures) Second Time Around (1961, 20th Century Fox) The Muppet Show – Pilot Episode (1974, Associated Television) Tom Jones TV Special (1970s, ATV) Dean Martin TV Special (1960s–70s, NBC) Leggs commercial spots (1970s–80s) It Isn’t Easy: The Juliet Prowse Story – Directed by Daniel Botha (includes select Vegas and TV performance excerpts) All media is used under Fair Use for non-commercial, transformative purposes including historical documentation, dance education, and biographical analysis.