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▅▅▅▅▅▅▅▅▅▅▅▅▅|READ THE DESCRIPTION|▅▅▅▅▅▅▅▅▅▅▅▅▅ ¸¸♬·¯·♩¸¸♪·¯·♫¸¸¸♬·¯·♩¸¸♪·¯·♫¸¸¸¸♬·¯·♩¸¸♪·¯·♫¸¸¸♬·¯·♩¸¸♪·¯·♫¸¸¸¸♬·¯·♩¸¸♪·¯·♫¸¸¸♬·¯·♩¸¸♪·¯·♫¸¸¸¸♬¸¸ Welcome to my piano arrangement, where we will explore the beautiful and tranquil music that greets us on the first day inside the game! I encountered some challenges with the recognition of the bass part—specifically, the sub-bass is quite low and doesn’t rely on harmony. To create a richer and more harmonious arrangement, I hope you won’t mind that I added a touch of creativity to enhance the piece. ‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗ 1. The piece starts with an arpeggiato pattern in the right hand, which is joined by the left hand. While there’s a clear rhythm, I recommend playing the music with a bit more freedom. At a certain point, the melody in the left hand features octave doubling; when you reach the note "B," you can play the upper note with your right hand (which is performing the arpeggios) for better convenience. ‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗ 2. At 0:56, a new theme develops with a more dynamic melody. Pay attention to the use of the right pedal, which helps to separate the melody into two distinct motives. ‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗ 3. At 1:20, a new melody emerges. Here, I’ve slightly improvised the bass line, as it can be quite challenging to discern in the original. I chose to make the bass more fluid, where every second beat emphasizes the harmony of the major sixth chord with the right pedal. ‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗ 4. Following a brief linking section, new musical material begins at 2:00. This is where the dynamics develop and a crescendo occurs. ‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗ 5. At 2:56, the melody should begin with staccato articulation. However, I decided to diversify it by incorporating choral texture here. Let’s view this as an introduction before transitioning into the new section in G major. ‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗ 6. Finally, at 3:11, a melody in the high register appears, which should be played with a detached staccato style. Note that for every second bass note, I use the middle pedal instead of the right pedal to preserve the staccato effect in the right hand. ‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗ I hope this helps your viewers better understand and engage with my piano arrangement! ▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰ ❤Download❤ (WAVE + MP3) ►Bandcamp►https://danvolmusic.bandcamp.com/trac... ►Patreon► / piano-03-miside-121031121 ►Boosty►https://boosty.to/danvol/posts/80fe5b... ▂ ❤Download❤ [MIDI] ►Patreon► / 03-miside-first-121035802 ►Boosty►https://boosty.to/danvol/posts/b5a159... ▂ ►MiSide (Piano Album)►https://danvolmusic.bandcamp.com/albu... ▂ ►The original album by AIHASTO► @aihastogames7830 ▂ ★Music Production★ ►MakenCat ▂ ★Piano Arrangement/Performance/Visual★ ►Danvol ▂ ★Animation★ ►Piano VFX/AE ▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰ ❤Follow me❤ ✈My Main Channel► / @danvolcovers ✈My VK Group►https://vk.com/danvolmusic ✈My Telegram Channel►https://t.me/DanvolMusicChannel ---------------------------------☊Thank you for watching!☊------------------------------ #MiSide #Мисайд #MiSidepiano #MiSidemusic #MiSideremix #MiSidecover #MiSidegame #Мисайдмузыка #Мисайднапианино MiSideMIDI MiSidenotes #Мисайдноты #MiSidesoundtrack #Мисайдсаундтрек