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Goldfinger -- Review

• Goldfinger (1964) -- Unadulterated, inventive excitement. Quintessential Bond, 9/10. WATCH full episodes of Movie Night, every Friday night: http://bit.ly/JogJPMN SIGN UP for your free 30-day Netflix trial at: http://www.Netflix.com/Jogwheel TWEET a review with the #JPMN hashtag, and have it featured on the show! ~~ Movie Night Reviews ~~ Each "Quick Review" is an excerpt from a full episode. Incorporating viewer comments and tweets, your host and film critic Jonathan Paula reviews everything from opening day releases, recent DVDs, upcoming trailers, and classics from years past. Along with your votes, these films are scored on the "Rate-O-Matic" for a 1-10 ranking. A "Five Word Summary" quickly encapsulates each review while "Factor Facts" highlight the the best and worst features of a movie in each of ten key categories. New, full episodes of Movie Night air on the JPizzle1122 every Friday, November through May. ~~ Links ~~ Twitter --------------------- http://bit.ly/JonTW Facebook ---------------- http://bit.ly/JonFBFan Main Channel ----------- http://bit.ly/Jogwheel 2nd Channel ------------ http://bit.ly/JonWorld Movie Night Show ----- http://bit.ly/JogJPMN FAQ Video --------------- http://bit.ly/JogFAQv T-Shirts ------------------- http://bit.ly/JogStore ~~ Technical ~~ Created by ------ Jonathan Paula Camera ---------- Panasonic DVX-100b Microphone ----- Sennheiser ME 66 Software --------- Adobe Premiere Pro CS5 Computer ------- http://bit.ly/JAV010 • Jogwheel Productions © 2012 • ~~ Review Script ~~ The third chapter of the James Bond saga was released in September of 1964, and quickly recouped its at the time impressive $3-million dollar budget, eventually grossing one hundred and twenty two more. Directing his first of four Bond pictures, Guy Hamilton takes us along for the adventure in this playful, exciting, and action-packed adaptation of Ian Flemming's novel of the same name. Hardly a high-octane action film by today's standards, this adeptly made spy caper still excites almost 50-years later. Finally reaching full stride with the character, Sean Connery, inarguably in most famous role, takes on the lead role of the MI6 agent 007 with swagger, confidence, and charm -- seducing no less than three ladies during the 110 minute picture. In this memorable installment I vividly remember watching numerous times during my youth on annual basic cable marathons, Bond is pitted against the money-hungry Auric Goldfinger: a deliciously devious villain who has no issues killing his own allies to get the gold: both literally, and figuratively. Goldfinger aims to rob America's largest gold depository in Fort Knox, and Her Majesty's best double-0 agent is tasked by Bernard Lee as "M" to stop him. Besides being a genuinely entertaining, campy 60's flick, "Goldfinger" was, by all-accounts, a pioneering effort, especially in respects to the 2nd-highest grossing film franchise of all time. Introducing such great staples like the extended cold-open action sequence, the "Q" character, who counter's Bond's whimsically behavior with new gadgets and exposition, the lush and beautiful bond girls featured here with great names tongue-in-cheek names like Tilly Masterson and Pussy Galore, the quirky sidekick villain who always gets in the hero's way, and the villain's overly elaborate method of execution, served up moments after explaining away his entire nefarious plot. On the flip side however, the sound mix was great enough to score the Bond franchise it's first Academy Award -- which of course, is supported by the terrific and instantly iconic James Bond theme by composer Monty Norman, the original score by John Barry, and the radio-friendly title track by Shirley Bassey. Perhaps slow by today's standards, this film still moves along at a brisk pace from one set-piece to the next: from Bond catching Goldfinger cheating on the golf course to him using his Aston Martin's ejector seat to rid himself of an uninvited henchman. Far too often though, Bond is relegated to a bystander role: as he spends nearly half of the film taking orders from his captors: leaving him more like a patsy witnessing the action, rather than a secret agent involved in it. One curious point I noticed though: why does Goldfinger was so much time, money, energy building scale models and flip-away pool tables to explain his involved heist to his financial backers... only to gas the bad-guy convention moments later? A terrifically fun scene, but one that makes zero sense in context. A few years earlier, "Dr. No" brought Flemming's idealistic British agent to the big screen, but this thrilling and amusing picture was clearly the high-water mark for Connery's six-film involvement. "Goldfinger", "Unadulterated, inventive excitement. Quintessential Bond." ~