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🎛️ FREE Producer Tools 🥁 Get FREE Guides, Loops & FL Studio Patcher Plugins → https://www.desmondasounds.com 🎧 Improve Your Mix Fast → https://desmondasounds.com/7Steps 💬 Connect with the Discord → / discord 🔥 Submit for My Live Beat Review Show (Heat Check) → https://desmondasounds.com/review ---- ORIGINAL VIDEO: • Why Selling Beats on BeatStars is Hurting ... ---- 📘 Courses & Producer Training 🎚️ The Drum Doctor: Beat Mixing Course → https://desmondasounds.com/drumdoctor ---- 👕 Producer Merch 🔥 FunProducerTees (Funny Tees for Producers) → https://FunProducerTees.com ---- 💡 Beat Feedback Services 🎥 Get Personalized Beat Feedback Anytime (Heat Check On-Demand) → https://desmondasounds.com/ondemand ---- 📲 Stay Connected 🎥 Instagram → / therealdesmond 🎙️ Podcast (Made In The Studio) → https://linktr.ee/madeinthestudiopod ---- 🌐Affiliate Links: 🎛️ Studio Gear I Use → https://www.amazon.com/shop/therealde... 🎤Get Studio Gear w/ No Credit Check Payment Plans: https://tinyurl.com/4yfunfyr ---- ❤️ Support the Movement If my videos help you grow as a producer, you can donate here → https://desmondasounds.com/donate --- Is selling beats dead in 2026 — or are producers just doing it the wrong way? In this video, I react to Ron Got The Recipe breaking down how beat-selling platforms, oversaturation, and low expectations have completely changed the game. We talk about why $20 beats aren’t the move anymore, why platforms shouldn’t be your traffic source, and what producers need to do if they actually want to make money long-term. If you’re a producer relying only on BeatStars, Airbit, or marketplace traffic — this is a hard but necessary conversation. 🎯 In this video, you’ll learn: Why beat-selling platforms aren’t “scams” — but expectations are The real reason producers struggle to sell beats in 2026 Why owning your website matters more than ever How communication separates amateurs from professionals Why traffic, branding, and follow-up beat talent alone 🚨 This isn’t theory — this is real producer game. 📌 Subscribe for real producer advice — no fluff, no hype