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A Walk Through Schiele’s Urban Landscapes – Schubert: Impromptus D.899 (OP. 90) скачать в хорошем качестве

A Walk Through Schiele’s Urban Landscapes – Schubert: Impromptus D.899 (OP. 90) 1 month ago

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슈베르트 즉흥곡 D. 899

schubert impromptu D.899

Egon Schiele

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A Walk Through Schiele’s Urban Landscapes – Schubert: Impromptus D.899 (OP. 90)
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A Walk Through Schiele’s Urban Landscapes – Schubert: Impromptus D.899 (OP. 90)

This video is an artistic curation that pairs the complete set of Franz Schubert’s Impromptus D.899 (OP. 90) No. 1–4 with the paintings of Egon Schiele. Rather than simply placing music over images, the project thoughtfully aligns the emotional flow of each piece with carefully selected visual artworks, inviting viewers to experience a dialogue between music and painting. The goal is to create a layered, immersive experience that brings together two distinct yet deeply resonant art forms. Schubert's Impromptus D.899 (OP. 90), written in the final years of his life, are lyrical masterpieces that each reflect a unique emotional landscape. Together, they form a journey through nuanced inner states. The selected works of Egon Schiele mirror these qualities, expressing solitude, decay, tension, and transcendence through stark yet sensitive visual language. About Egon Schiele Egon Schiele (1890–1918) was a central figure of Austrian Expressionism. While influenced early on by Gustav Klimt, Schiele quickly developed a distinct visual vocabulary marked by bold lines, disjointed structures, and intense emotional content. His works delve into themes such as isolation, mortality, eroticism, and psychological vulnerability. Even in his landscapes, Schiele portrayed emotion more than reality. His cities and natural scenes are often eerily quiet, distorted, or desolate—visual metaphors for inner experiences. Many of the paintings featured in this video come from the final years of his life, capturing both the societal unease of pre-war Vienna and Schiele’s personal confrontation with mortality. Impromptu No.1 in C minor This piece alternates between dramatic surges and introspective passages, evoking a sense of narrative tension. To accompany it, paintings such as “House with Shingle Roof,” “Old Sawmill,” “Crescent of Houses,” “Four Trees,” and “Wildbach” were chosen. These works embody a range of emotional textures—from structured isolation to turbulent natural forces. The structural imbalance and expressive distortions in Schiele’s art echo the musical dissonances and rubato in Schubert’s composition, making this pairing especially evocative. The viewer is invited to explore contrasts between architectural solidity and emotional fragility. Impromptu No.2 in E-flat major Although this Impromptu opens in a warm and lyrical tone, it carries subtle undertones of sadness and nostalgia. This duality is mirrored in Schiele’s seasonal landscapes, including “Summer Landscape,” “Autumn Sun and Trees,” and “Old Mill.” These images guide us through an emotional transition akin to the shifting of seasons. “Old Mill,” in particular, evokes the stillness of halted time and the erosion of structure—visual metaphors that align with Schubert’s expressive tempo shifts and harmonic subtleties. The music and visuals together create a space for reflective contemplation. Impromptu No.3 in G-flat major Perhaps the most introspective of the four, this Impromptu builds emotional depth through repetition and restraint. The accompanying paintings—“Ruined Castle on the Hill,” “Death and the Maiden,” “Fence and Tree,” “The Sawmill,” and “Wildbach”—emphasize themes of impermanence, memory, and solitude. “Death and the Maiden” visually resonates with Schubert’s own earlier song of the same title, while “Fence and Tree” explores boundaries and fragmentation. These images reflect the music’s layered emotional resonance, drawing the listener into a quiet philosophical dialogue. Impromptu No.4 in A-flat major The final piece returns to a more formal structure but is infused with contemplative serenity. Paintings such as “Felderlandschaft,” “Vorstadt,” “Einzelne Häuser,” “Hauswand,” and “The Small Town II” accompany this musical resolution. This video is an original content project that combines music, visual art, and educational narration. All subtitles provide contextual explanations and aesthetic insights, aiming to deepen the viewer’s understanding and emotional engagement. This is not simply background music with paintings, but a curated and interpretive experience. May this video offer a reflective journey through inner landscapes, where music and painting converge in quiet harmony. Harmony Heaven - #ClassicalMusic #PianoImpromptu #ArtAndMusic #OriginalContent Audio Source This video uses a piano performance of Schubert’s Impromptu, D.899 (OP. 90) by Chiara Bertoglio, licensed under the Creative Commons Attribution 3.0 Unported (CC BY 3.0) license. Link to the audio file: https://commons.wikimedia.org/wiki/Fi... https://commons.wikimedia.org/wiki/Fi... https://commons.wikimedia.org/wiki/Fi... https://commons.wikimedia.org/wiki/Fi...

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