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IGOR GORIN sings KORNGOLD's Pierrotlied [1941] скачать в хорошем качестве

IGOR GORIN sings KORNGOLD's Pierrotlied [1941] 15 лет назад

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IGOR GORIN sings KORNGOLD's Pierrotlied [1941]
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IGOR GORIN sings KORNGOLD's Pierrotlied [1941]

A rare, unpublished recording of the unjustly forgotten Ukrainian baritone IGOR GORIN singing the Pierrots Tanzlied from Korngold's opera Die tote Stadt. Unusually, he sings it in English. The recording was not issued at the time, possibly because of the unfortunate mistakes in the opening harp chords. Igor Gorin never really fulfilled his potential as a singer. He was born October 26, 1904 - Grodek, Ukraine . His father, Sholom Greenberg, was a rabbi and a Talmudist who taught religion in Grodek and in the neighboring provinces. Igor was not close to his father, but was to his mother, Yente Moritz Greenberg, who passed on her love of music to her son. Igor's father enrolled him in the Talmudist school where Igor displayed an amazing aptitude for the Orthodox liturgy, which he committed to memory. He mastered Hebrew and eventually spoke eight languages fluently. He also sang in the local synagogue choir. The political situation in Russia and the Ukraine was worsening with strong anti-Semitism and pogroms. In 1919, when Igor was 15, the Greenberg family moved to Vienna, Austria. In his free time he visited the public library and sat in on many lectures at the Urania, a free, night school. On Sundays, he would often go to a movie theater and he developed a fascination with America. As a result of auditioning for a synagogue choir his singing drew the attention of Viktor Fuchs, one of the most distinguished voice teachers in Vienna. As a result, in 1925, Fuchs offered Igor free lessons with Robert Traniewsky, one of his assistants. After recovering from a bout with tuberculosis, Gorin studied at the Vienna Conservatory from 1926 to 1929, studying piano, music theory and formal voice training. Gorin's idol during this period was Italian baritone Mattia Battistini. He resolved that he wanted his voice to sound like Battistini's and made a concentrated effort to master the bel canto singing style. Igor Gorin became head cantor at the Leopoldstrasse Synagogue in Vienna and his fame as a cantor became widespread. and he finally joined the Vienna Volksoper in 1930. His roles included Tonio, Germont, Figaro, Rigoletto, Renato, Wolfram, Escamillo and Valentin. It was not as an opera singer that Igor Gorin made his first visit to the USA, but rather as a cantor in Providence, Rhode Island, in 1930 and 1931. Upon returning to Austria, he became greatly disturbed at the reports of Nazi purges of the German-Jewish population and the growing popularity of Adolf Hitler, and in 1933 he emigrated to the USA permanently. Gorin began his career in the USA at the Radio City Music Hall in New York, where he was billed as a "Viennese baritone". After that he was engaged for a 10 week stint on NBC's The Standard Hour. It was during these programs that Gorin met the composer Albert Hay Malotte. As a result, Gorin was the first to perform Malotte's famous setting of The Lord's Prayer. It was to become Gorin's most popular number on rado, on television and in concerts. His recording of it in 1940 became his most popular recorded selection. Igor Gorin then joined the radio program Hollywood Hotel and his success there led to appearances on the Kraft Music Hall, Great Moments in Music, The Ford Sunday Evening Hour, International Harvester, and The RCA Victor Hour. In 1936, he signed his first recording contract with RCA and made his first recordings in 1937. He also did a screen test for Metro-Goldwyn-Mayer and appeared in a secondary role in Broadway Melody of 1938 singing "The Toreador Song" from Carmen and parts of "Largo al factotum" from The Barber of Seville. In 1939, Gorin married Mary Smith and became a naturalized U.S. citizen in July. Although he did audition for the Metropolitan Opera, the Met did not engage him. Gorin went on to become primarily a concert singer who appeared on programs such as The Voice of Firestone and The Bell Telephone Hour regularly. Notable future performances included portrayals of Rigoletto on the television program NBC Opera Theatre in 1958 and Giorgio Germont with NBC again in 1960. He appeared with Boris Christoff in 1962 at the Lyric Opera of Chicago in Alexander Borodin's Prince Igor in 1962. The following year, he sang with the New York City Opera, as Rigoletto, and Giorgio Germont in La Traviata (opposite Beverly Sills). He made one guest appearance at the Metropolitan Opera in La Traviata in 1964. He died at his home in Arizona, on March 24, 1982.

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