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Tigun of Teentaal often feels confusing at first, and there is a clear reason for it. In Tigun, each beat is divided into three equal parts. Our body and mind are trained to think in doubles. Dugun feels natural because it moves in two. Chaugun also settles in because four follows two with ease. Tigun sits right in between, where three refuses to behave like a neat multiple. This tutorial focuses on understanding Tigun not as speed, but as structure. Three is not double of two, and four is not double of three. This is why moving from Dugun to Tigun, and then from Tigun to Chaugun, feels unstable. The solution lies in rhythm awareness, not force. We break Tigun down beat by beat, and yes, bit by bit. You learn where each division lands within Teentaal, how to hear it clearly, and how to place your footwork without rushing. This approach helps you internalise laya instead of chasing it. Ideal for Kathak dancers, Indian classical dance students, rhythm learners, and anyone working with tabla, lehra, and tala-based practice. Strong rhythmic clarity builds confidence in layakari, footwork, and overall performance quality in Indian classical arts. Which tutorial should I upload next? #Kathak #KathakDance #SKILSKathak #KathakWithShruti