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Newton, carved in stone, sits above Urizen’s rays, not beneath—he emerges from Urizen, a child of cold light. He is not innocent. His finger descends, not in inquiry, but in control. He presses downward, suppressing the soft, unseen—the feminine essence, both in women and in men. He represents the next phase of the Patriarchal Machine: not kings or popes, but scientists and systems. Newton’s laws defined motion, but in doing so, bound the world in steel logic. His gaze turned sacred chaos into equation. The divine womb of creation—intuition, mystery, life-force—was rewritten as void. His finger does not touch stone—it silences the Anima, the soul-voice within. Not just in women, but in men too. Most men don’t know the word “anima,” but they feel it: That lost feeling of never being enough. That emptiness behind achievement. That rage, when softness tries to surface. They were taught: don’t cry, don’t feel, don’t need. The feminine in them was called weakness. So they buried it. But here’s the irony: science itself, under patriarchal control, tried to erase the feminine, the mothers, and yet uncovered her at the root. The mitochondria, the source of all human energy, is inherited only through the mother. Every human alive runs on mother-power, and yet the system tried to forget. The deeper they dug into the body, the louder She whispered back: I was always here. So Newton’s finger, what seemed like mastery, becomes a monument to imbalance. He presses down, but cannot kill what is rising. The feminine, dream, emotion, life-force..is not beneath him but WITHIN HIM. It is beneath the finger, beneath the lies, and now, rising through the skin of the world.