Exposition de Larissa NOURY à la Galerie 'Vent" Ginza Six 🗼 Tokyo, Japon скачать в хорошем качестве

Exposition de Larissa NOURY à la Galerie 'Vent" Ginza Six 🗼 Tokyo, Japon

“The colors of the future. New French Impressionism and the Traditions of Japan" - A landmark exhibition of Larissa Noury in Tokyo. “The painter of the future will be a colorist in a way no one has been before.” -- Vincent Van Gogh The dissemination of modern French painting in Japan was achieved through two major collections formed at the beginning of the 20th century: that of Ōhara Magosaburō, who founded the Ōhara Museum of Art in 1930, and that of Matsukata Kōjirō, which would form the core of the National Museum of Western Art in Tokyo, opened in 1959. It can be said that the Japanese have a particular taste for French painting movements such as the Barbizon School, Impressionism, Post-Impressionism, and the Nabis, which are present in numerous museums, notably the Yamanashi Prefectural Museum, the Artizon Museum (Bridgestone Foundation), the Pola Museum, and the Hiroshima Museum of Art. Japanese painting and ukiyo-e, along with the modernity and elegance of French visual arts, merge in the creative field of the Painting. Larissa Noury represented French artistic culture in Japan this year with her second solo exhibition from September 8 to 17, 2025, at the "Vent" gallery in Ginza Six, Tokyo. Ginza is Tokyo's most glamorous district. In the 1980s, Ginza was the most expensive shopping district in the world. Today, along its wide avenues, you'll still find numerous fashion boutiques (including internationally renowned luxury brands like Hermes, Dior, Tiffani, Louis Vuitton, and Prada), as well as Japanese-style showrooms. The neighborhood is also known for its abundance of bright, colorful signs. The theme of Larissa Noury's exhibition is "The Colors of the Future." “New French Impressionism and the Traditions of Japan” was part of the Universal Exposition in Osaka, whose theme is "Designing the Society of the Future, Imagining Our Lives of Tomorrow." France and Japan agree on the importance of preserving heritage and the need to combine tradition and modernity. Curator Ms. Reibibbri Yamakawa expressed her admiration for the event, noting the unending energy of the artist Dr. Larissa Noury: "Larissa's exhibition demonstrated a combination of Impressionist painting techniques and the new possibilities of using traditional Japanese "Washi" paper, as well as current trends in tactile painting in correlation with fashion. Tactile five-dimensional colors will become the colors of the future. Everything is based on their multidimensional character." First, we discover the relief, with the texture of the materials used in the painting. Tactile color on two-dimensional surfaces transforms the images into 3D. They represent harmonies created by the architecture of overlapping layers of chromatic materials on different supports. The fourth dimension is the temporal dimension. Viewers need a moment to test different viewing angles and distances, thus evolving their perception of the work over time. The results of this perception, both dynamic and effective over time, vary depending on the age and general culture of the viewer. The fifth dimension is transparency for tactile colors on certain supports of particular quality (e.g., Nepalese paper, Japanese washi paper, etc.). The brightness of the rays passing through the surface highlights both the 3D colors and the richness of sensitive details not perceivable with frontal lighting alone. The event partners are: "Couleur-Espace-Culture", Paris The "Vent" art gallery in Ginza, Tokyo "Reibibbri Yamakawa" Atelier/workshop, Hachioji-Tokyo "I have already had the pleasure and honor of representing France at major events in Japan: in 2015 at the World Congress of the International Color Association (ICA) in Tokyo, and in 2024 at Ginza Six, Tokyo for my first solo exhibition. I had the opportunity to present my work there (exhibitions and lectures) as an artist and author of the books "Color in the City" and "Symbolic. The City in Color," both of which were highly acclaimed in France and abroad. My latest book, "The World of Colors. Art and Haute Couture," which represents the evolution of my creations, and the collection of painted dresses—"Tableaux vivants" (Gold Medal at the Concours Lépine International), created with Jean-Marie Pujol, a former collaborator of Yves Saint Laurent, was very well received by the Tokyo public," concludes Larissa Noury. Visitors admired the exhibition by leaving comments and messages of encouragement in the artist's guestbook: "Excellent work, beautiful show, we intuitively understand the calligraphy on traditional Japanese paper", “What a beautiful and impressive exhibition, the work is illuminated, captivating and mysterious”, “...this style is unique and does not seem to correspond to the known traditional Japanese style, but I guess that is what makes it so good, so bright and so beautiful, keep up the excellent work next year...”