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Berlin-based artist Christine Sun Kim thinks about closed captions a lot. And she let us in on a not-so-well-kept secret: they suck. Christine shows us what closed captions could be, in a new story featuring original footage she captured and captioned herself. Video description and transcript: https://pastebin.pl/view/471fc4d3 STORY NOTE: there is no voiceover in Christine’s signed introduction. There is a light orchestral score with violin, piano, and vibraphone tones throughout the video. POP-UP MAGAZINE’S Fall Issue takes one day at a time, with new stories unfolding over a week, from October 12-16, sponsored by Instacart. Check out the lineup, meet the contributors, and follow along at https://popupmagazine.com/watch. POP-UP MAGAZINE produces unforgettable stories and live experiences, including our acclaimed live magazine, which sells out grand, historic venues across the country. Subscribe to our channel (https://bit.ly/pumsubscribe) for the latest stories. More at https://popupmagazine.com. CHRISTINE SUN KIM explores the conceptual aspect of sound by connecting it to acts of drawing, painting, and performance. Her projects include using the audience’s voice as her own, conducting a group of people to “sing” with facial movements, and composing visual scores with sign language and musical symbols. Check out her piece in The New York Times about performing at the Super Bowl. CREDITS [Closer Captions] By Christine Sun Kim Original Music by Minna Choi FOR POP-UP MAGAZINE Story Producer Anna Martin Director Anna Martin Cinematographer Christine Sun Kim Video Editor Megan Lotter Art Director Megan Lotter Music Director Minna Choi Performance Consultant Maureen Towey Audio Mixer Andy Spillman Additional Production Anita Badejo Elise Craig FEATURING MAGIK*MAGIK ORCHESTRA Liana Berube, Violin Minna Choi, Keys and Programming Daniel Roumain, Cello Laura Scarlata, Flute