Π£ Π½Π°Ρ Π²Ρ ΠΌΠΎΠΆΠ΅ΡΠ΅ ΠΏΠΎΡΠΌΠΎΡΡΠ΅ΡΡ Π±Π΅ΡΠΏΠ»Π°ΡΠ½ΠΎ Shoreline Studio #90 - Intaglio using Tetra Pack Plates with Water and Oil-based Printing Inks ΠΈΠ»ΠΈ ΡΠΊΠ°ΡΠ°ΡΡ Π² ΠΌΠ°ΠΊΡΠΈΠΌΠ°Π»ΡΠ½ΠΎΠΌ Π΄ΠΎΡΡΡΠΏΠ½ΠΎΠΌ ΠΊΠ°ΡΠ΅ΡΡΠ²Π΅, Π²ΠΈΠ΄Π΅ΠΎ ΠΊΠΎΡΠΎΡΠΎΠ΅ Π±ΡΠ»ΠΎ Π·Π°Π³ΡΡΠΆΠ΅Π½ΠΎ Π½Π° ΡΡΡΠ±. ΠΠ»Ρ Π·Π°Π³ΡΡΠ·ΠΊΠΈ Π²ΡΠ±Π΅ΡΠΈΡΠ΅ Π²Π°ΡΠΈΠ°Π½Ρ ΠΈΠ· ΡΠΎΡΠΌΡ Π½ΠΈΠΆΠ΅:
ΠΡΠ»ΠΈ ΠΊΠ½ΠΎΠΏΠΊΠΈ ΡΠΊΠ°ΡΠΈΠ²Π°Π½ΠΈΡ Π½Π΅
Π·Π°Π³ΡΡΠ·ΠΈΠ»ΠΈΡΡ
ΠΠΠΠΠΠ’Π ΠΠΠΠ‘Π¬ ΠΈΠ»ΠΈ ΠΎΠ±Π½ΠΎΠ²ΠΈΡΠ΅ ΡΡΡΠ°Π½ΠΈΡΡ
ΠΡΠ»ΠΈ Π²ΠΎΠ·Π½ΠΈΠΊΠ°ΡΡ ΠΏΡΠΎΠ±Π»Π΅ΠΌΡ ΡΠΎ ΡΠΊΠ°ΡΠΈΠ²Π°Π½ΠΈΠ΅ΠΌ Π²ΠΈΠ΄Π΅ΠΎ, ΠΏΠΎΠΆΠ°Π»ΡΠΉΡΡΠ° Π½Π°ΠΏΠΈΡΠΈΡΠ΅ Π² ΠΏΠΎΠ΄Π΄Π΅ΡΠΆΠΊΡ ΠΏΠΎ Π°Π΄ΡΠ΅ΡΡ Π²Π½ΠΈΠ·Ρ
ΡΡΡΠ°Π½ΠΈΡΡ.
Π‘ΠΏΠ°ΡΠΈΠ±ΠΎ Π·Π° ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ ΡΠ΅ΡΠ²ΠΈΡΠ° ClipSaver.ru
Using tetra plates for printmaking is a great way to re-use a throwaway item. Starting with a drawing, we indicate several ways to transfer the image to the foil side of the tetra pack. Using a sharp instrument like an awl, we scratch the lines of the drawing into the foil. In the meantime, we prepare the paper for forthcoming prints and enclose them in a plastic bag to keep them moist; then proceed to ink the plate and remove it in stages. We sandwich the plate and wet paper between newsprint and craft foam cut to the size of the pasta machine. We run the print through a pasta machine in place of an etching press. Next, we change gears and place the cleaned tetra pack plate on an inked gell plate and pull a print and its ghost print: noting the the difference in that type of print and the intaglio one. Finally, we repeat the inking process on the plate with oil-based ink and note the difference in the prints of the two mediums. π° DONATE: If you would like to support Shoreline Studio for ART SUPPLIES (and a latte for Josh!), you are welcome to donate to my PAYPAL account: https://paypal.me/painterly03 Chapters: 0:00 Opening titles 0:17 Intro 3:10 Transferring an image to the tetra pack material 4:25 Demonstrating how to scratch-in the image 6:42 Prepping our printmaking paper 7:41 Inking the dry-point plate with water based printmaking ink 10:06 Removing the excess ink 17:30 Final touch-ups using cotton buds 19:36 Pressing the print with our pasta-maker 21:26 An experiment with the gell plate 26:38 A second try with the gell plate 30:29 Inking the dry-point plate with oil-based printmaking ink, removing excess 39:47 Pressing the print with our pasta-maker 41:19 Outro 43:07 Today's prints and closing titles Original music by The Manitou: http://themanitou.bandcamp.com Filmed and edited by Joshua Blanc and Sybille Muschik Shoreline Studio: Facebook: Β Β /Β painterly03Β Β Instagram: Β Β /Β shorelinestudio01Β Β