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With Kevin Williamson stepping into the director’s chair for the first time in the franchise’s three-decade history, Scream 7 emerges as both a symbolic homecoming and a calculated creative recalibration for one of modern horror’s most durable brands. Conceived as a direct sequel to Scream VI (2023), the film notably restores Sidney Prescott to the center of the narrative, with Neve Campbell reprising the role following a development cycle shaped by production delays, creative restructuring, and high-profile cast departures that ultimately redirected the project’s trajectory. Kevin Williamson’s return, this time not only as co-creator but as director, signals a deliberate effort to realign the series with the tonal balance, self-awareness, and character-driven tension originally established alongside Wes Craven, reinforcing the sense that this installment functions as a course correction rather than a simple continuation. Campbell’s Sidney, now Sidney Evans, is portrayed at a distinctly evolved stage of life, no longer framed solely through the lens of survival but as a mother and spouse attempting to maintain stability in Pine Grove. Opposite Neve Campbell, Joel McHale plays Mark Evans, Sidney’s husband and the town’s Chief of Police, whose combination of warmth, humor, and underlying ambiguity feeds directly into the franchise’s enduring narrative engine: distrust. Courteney Cox returns as Gale Weathers, preserving the character’s signature sharpness while continuing her gradual progression toward a more grounded and emotionally textured presence, sustaining the saga’s foundational dynamic between Gale and Sidney. At the emotional core of the film is Sidney’s daughter, Tatum Evans, portrayed by Isabel May, a character whose name consciously echoes the legacy of Sidney’s late best friend and whose function within the story reinforces Scream’s long-standing thematic exploration of generational trauma, memory, and narrative inheritance. This continuity is further reflected through design choices, including the recreation of Sidney’s iconic Scream 2 leather jacket, repositioned as a symbolic heirloom, while subtle visual contrasts between Sidney’s restrained aesthetic and Tatum’s understated ’90s-inflected styling articulate the film’s intergenerational perspective. Reboot-era survivors Mindy and Chad Meeks-Martin, played by Jasmin Savoy Brown and Mason Gooding, reprise their roles with expanded narrative integration, their progression into professional roles under Gale Weathers strengthening the investigative framework while preserving the franchise’s self-reflexive commentary on genre mechanics. Brown’s return as Mindy continues to represent a meaningful dimension of the series’ evolving representation landscape. The ensemble is complemented by a slate of newcomers portrayed by Anna Camp, Asa Germann, Celeste O’Connor, Sam Rechner, and others, each strategically positioned within Williamson’s defining structural principle that “everyone is a suspect,” ensuring the maintenance of misdirection, tonal tension, and shifting audience allegiances. Hovering above the narrative remains Ghostface, once again voiced by Roger L. Jackson, with the film emphasizing heightened brutality, psychological manipulation, and elaborately staged suspense sequences that merge practical stunt execution with modern visual enhancements. Running 1 hour and 54 minutes and rated R for strong bloody violence, gore, and language, Scream 7 premiered on February 25, 2026, at the Paramount Pictures studio lot in Los Angeles and marks the franchise’s first IMAX presentation, reflecting studio confidence in the installment’s event-scale positioning. Synopsis: When a new Ghostface killer appears in the quiet town where Sidney Prescott (Neve Campbell) has built a new life, her worst fears come true when her daughter (Isabel May) becomes the next target. Determined to protect her family, Sidney must confront the horrors of her past to end the carnage once and for all. Scream 7 Directed by Kevin Williamson Screenplay by Guy Busick and Kevin Williamson Story by James Vanderbilt and Guy Busick Based on characters by Kevin Williamson Produced by William Sherak, James Vanderbilt, Paul Neinstein Starring Neve Campbell, Courteney Cox, Isabel May, Jasmin Savoy Brown, Mason Gooding, Anna Camp, Joel McHale, Mckenna Grace, Michelle Randolph, Jimmy Tatro, Asa Germann, Celeste O'Connor, Sam Rechner, Ethan Embry, Tim Simons, Mark Consuelos Music by Marco Beltrami Production companies: Spyglass Media Group, Project X Entertainment, Outerbanks Entertainment Distributed by Paramount Pictures Release date: February 25, 2026 (France), February 27, 2026 (United States)