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Studies in Shadow and Fruit stands as a formally constructed ensemble document grounded in proportion, restraint, and tonal architecture. The work is conceived as a unified still life in sound, where timbral contrast functions as compositional geometry rather than display. Brass, wood, resonance, and silence are positioned with deliberation, each gesture calibrated within an internal balance of density and space. This recording is a conceptual ensemble realization created through human artistic direction and artificial intelligence. Artificial intelligence operates strictly as a formal analytical and generative instrument, employed to examine pattern, proportion, ensemble behavior, and long form structural equilibrium. It remains subordinate to human judgment, historical awareness, and aesthetic intent. The result is not a literal session but a historically framed archival construct. Its character is intimate yet rigorous, treating shadow and luminosity as parallel studies in sonic contour, weight, and restraint. Tracklist Still Life Overture Brass in Low Relief Orchard in Monochrome Midnight Aperture Pear Study I Counterform in Ebony Chamber of Silver Air Fruit Against Black Slow Metal Reflection Quiet Geometry Afterimage in Wood Apple and Valve Resonant Tabletop Darkened Register Study for Hollow Brass Orchard Interval Tonal Chiaroscuro Bass in Shadow Pear Study II Contour of Breath Silver Key Meditation Nocturne for Upright Compressed Light Formal Stillness Final Arrangement Conceptual Ensemble Alto Saxophone Trumpet Upright Bass Piano Drum Set #rednotejazz #jazz #newmusic #ensemble #intimate