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Sergej Krylov (violin), Krzysztof Penderecki (conductor), The Polish Sinfonia Iuventus Orchestra Krzysztof Penderecki. Violin Concerto No.2, "Metamorphosen" DUX, Recorded in 2018 Allegro Ma Non Troppo - Allegro Vivace Allegretto 15'52'' Molto Meno Mosso 19'18'' Vivace 2'00'' Scherzando 26'29'' Andante Con Moto 32'16'' Click here to subscribe to our YouTube Channel: https://bit.ly/2WpVVtz Facebook: https://bit.ly/2WLKv27 Instagram: https://bit.ly/2SWroBo Penderecki was the most highly publicized member of the Polish avant-garde, with works based on atonal or serial lines, unusual sonorities produced through untraditional means, and much use of cluster harmony. Then, in 1976 he shocked the music world with a violin concerto (No. 1) rooted in the angst-drenched rhetoric of Postromanticism. Penderecki was occupied with his Violin Concerto No. 2 from 1992 to 1995. Dedicated to Anne-Sophie Mutter, it makes considerable demands on the listener’s concentration. There are no memorable “sound-bites” — tunes or rhythmic patterns or even gestures that make an immediate impact–nor are there obvious contrasts that might set off one segment from another. Just one continuous, unrelieved, brooding line of argument (subdivided into multiple levels of activity) for the listener to integrate into a coherent entity. On the other hand, the music is also consistently engrossing, without a moment that is inauthentic, inexpressive, or annoying in any way. It simply requires multiple hearings and intense concentration.