Viday Medhil Bhavani Vandaan | Simhendramadhyama| Rupaka | Sri. Papanasham Shivan | Kalagangothri скачать в хорошем качестве

Viday Medhil Bhavani Vandaan | Simhendramadhyama| Rupaka | Sri. Papanasham Shivan | Kalagangothri

A beautiful composition of Sri Papanasham Shivan, is choreographed by legendry PadmaVibhushana Smt.Rukmini Devi Arundale. Students at Kalagangothri, NJ have learnt this item during the hardships of Covid Pandemic isolation times(2020) and have humbly offer this at lotus feet of Lord Nataraja (The lord of Dance) on occasion of Shivarathri Raga - Simhendramadhyama Tala - Rupaka Pallavi: viDai mIdu bhavani vandAn vEdapuri nAthan The lord (nAthan) of vEdapuri [1], astride/sitting on top of (mIdu) a bull (viDai), came (vandAn) on a procession (bhavani)! anupallavi naDamADum Siva yOgan nAgamaNiyum bOdhan kuDamuni paNindETTum kOdilA Siva nAthan (viDai mIdu…) The dancing (naTamADum) [2] Siva yOgi (yOgan) [3], the wise one (bOdhan) who is adorned (aNi) with snakes (nAgam), the one who is extolled (Ettum) and worshipped (paNindu) by sage agastya (kuDamuni), the blemishless (kOdilA) Siva (Siva nAthan) (astride a bull, came on a procession). caranam nAdamisaikkum deva nArImaNigaL ADa nAraNan biramanum narkaram siram cUDa gIta gandharvarellAm kiLarisai yAzh olikka kavi pADi endaiyar uLLam kutUgalikka (viDai mIdu…) (The Lord of vEdapuri, astride a bull, came on a procession) accompanied by the celestial (deva) women (nArimaNigaL) [4] who play (isaikkum) music (nAdam) dancing (ADa) along, with vishNu (nAraNan) and brahma (biramanum) raising their hands (narkaram) above their heads (siram cUDa), and all (ellAm) the musical (gIta) demi-celestials (gandharvargaL) making (olikka) sweet music (kiLarisai) from their harps (yAzh), and our masters’ (endaiyar) hearts (uLLam) becoming rapturous (kutUhalikka) as they sing (pADi) paens (kavi), FOOTNOTES [1] This is on vEdapurISvarar near tiruvErkADu as explained by Rajani [2] naDamADum can also mean one who is ambulatory [3] the purpose of the juxtaposition is that a yOgan should be in the state of ascetic meditation, while naTamADum or naDamAdum is someone who is in a state of motion – the concept is that Siva combines the two opposite concepts – even as he performs his cosmic dance, his mind is in a yOgic trance [4] corrected based on the Rajani’s input Thanks to Rasika for Word to word meanings