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Buy here: http://www.metalblade.com/allegaeon Comments guitarist Michael Stancel on the track, “So, one day in our group chat, [vocalist] Ezra [Haynes] was like, ‘Michael, I want something slow and heavy,’ and I was like, ‘DONE.’ I used a lot of inspiration from bands like Dimmu Birgir and Septicflesh to try and build these massive orchestral sections that set the tone as well as some noisy ‘ear candy’ sounds to add more dimension. This is probably the most different song on the record but still has all the ALLEGAEON-isms you’d want.” Director - K. Hunter Lamar DP - Alister Auguste Gaffer - Oscar Aguilar Key grip - Timothy Wicoff AC - Estevan Sanchez Lighting - Spencer Macy "The Ossuary Lens" serves as ALLEGAEON’s seventh full-length overall, but it’s the first to feature the return of original vocalist Ezra Haynes since his 2015 departure following the "Elements Of The Infinite" album. Replacing a singer is no easy task, so the fact that Haynes was in a place to rejoin is reason to celebrate. The cleaner vocal approach on the last three albums was a fascinating artistic maneuver, one that refreshed ALLEGAEON, but it’s undeniably thrilling to hear Haynes’ graveled larynx back in the fold on this inarguably brutal and technically dazzling slab of work. "The Ossuary Lens," while not a concept album in the traditional sense, is a representation of several different viewpoints of death. “Each song is a different topic, however there’s always a different perspective of death tied in,” says Haynes. “Since the entire album revolves around this overarching theme of death, and the different viewpoints associated with it, we found ourselves very attached to the word ‘Ossuary,’ and since the album takes a look at death through different points of view, we found The Ossuary Lens to be very fitting for the album title.” The record was recorded with producer Dave Otero at Flatline Audio studio in Denver. It marks the sixth album recorded with Otero. It’s of no surprise then that the sound on "The Ossuary Lens" pummels the listener, though the ferocity is balanced by the overt melodies. It’s the most triumphant and cohesive body of work that they’ve ever laid down.