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The T-shaped silk painting unearthed from the Han Dynasty Mawangdui tombs in Changsha serves as a crucial material testament to the concepts of life, death, and cosmology during the Western Han period. Through analyzing its imagery, we gain profound insights into the rich imagination of the afterlife held by Chinese people 2,100 years ago. This video will guide you through a systematic interpretation of the painting from bottom to top: The underworld at the lowest level: The giant figure supporting the earth and its symbolic significance The mortal realm in the middle: The soul's ascension process of the tomb occupant and related mythological figures The heavenly sphere at the top: The cosmic order manifested through sun-moon cycles and the celestial hierarchy The painting's visual system not only reflects contemporary beliefs but also reveals the unique Chinese conceptual framework of a tripartite universe - a worldview that predates Dante's Divine Comedy by fifteen centuries. By examining the painting's mythological elements and spatial composition, we can understand how Han Dynasty people envisioned the afterlife and addressed the eternal question of mortality. This funerary artwork provides invaluable primary material for studying ancient Chinese intellectual history. Share your perspectives on this silk painting in the comments! If you enjoyed this content, please subscribe for more quality cultural and historical explorations. #MawangduiTombs #HanDynastyArt #AncientChineseCulture #ArchaeologicalDiscoveries #ArtHistory