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From the beginning of distribution of digital content in cinema, the technological production and projection possibilities seem to develop at cyberspeed. Stereo 3D, Higher Frame Rate (HFR) and high-resolution images are taking over the big screen. New projection possibilities are researched, which go much further than the previously known flat screen. But do we really need that? Do we – the audience – really recognize a difference? And if so, how does this affect our viewing experience and the dramaturgical and pictorial content? Maren Kiessling discovered film during her training as a media graphic artist. In addition to her studies of media communication and art history in Halle, she also worked as a director, camera-woman, editor and production manager for various films. Furthermore, she worked as a media pedagogue and helped young people to implement their films. Today, she is a lecturer for film at the Martin-Luther-University Halle-Wittenberg at the Department of Media and Communication, is dedicated to the Cinema of the Future in her doctoral thesis and leads the research group "Fulldome, 3D & HFR". This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at https://www.ted.com/tedx