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this is a unofficial remix of brandy s track called Sitting Up in my room which was included on the 1995 soundtrack titled Waiting to exhale and as a standalone cd single and vinyl in 1995 . The soundtrack was released in 1995 which was released along side the movie release and it starred Whitney Houston, Loretta Devine, Angela Bassett among a ensemble cast of legendary actors and actresses the track has a official remix with LL cool J for some who don't know please note * I do not own copyright to the music or anything related to it no copyright infringement intended for entertainment purposes only please go support the original artist Brandy and pick up her classic album self titled debut album brandy and the soundtrack waiting to exhale and you can pick up her maxi single for sitting up in my room in cassette and Cd form which both may be a rarity collectable items or items they are all available in stores (limited only because it's hard to find because it's so old but definitely available online on all digital retailers this was fun putting together I hope you guys like it share comment like and subscribe click the notification bell for updates on new content "Sittin' Up in My Room" is a song by American recording artist Brandy Norwood. It was written and produced by Babyface and recorded by Norwood for the soundtrack of the 1995 film Waiting to Exhale, starring Whitney Houston and Angela Bassett. The track was one out of five singles the album spawned and reached number two on the US Billboard Hot 100, becoming Norwood's most successful single on that particular chart up to that point. It is of note that the characteristic bass intro is a replica of the famous riff performed by bassist Larry Graham, of Sly and the Family Stone, on their hit "Thank You (Falettinme Be Mice Elf Agin)", and its remix featuring LL Cool J contains a sample of "Haven't You Heard" by Patrice Rushen. "Sittin' Up in My Room" was performed on several television and award show ceremonies, such as Late Show with David Letterman, the 23rd Annual American Music Awards, the 1996 Soul Train Awards, the 39th Annual Grammy Awards, and the 2015 Soul Train Music Awards. A music video was also filmed, depicting Brandy keeping herself penned up in a retro, brightly colored room after her friend tells her that her love interest is joining the party downstairs. Actor Donald Faison appears as her love interest in the video, directed by Hype Williams. It won the award for Best Song from a Movie and was nominated for Best Video from a Film at the 1996 MTV Awards. The song has since been performed on several awards shows and Norwood's concerts and tours, including the 1998 Never Say Never World Tour and the 2016 Slayana World Tour. "Sittin' Up in My Room" was written and produced by Kenneth "Babyface" Edmonds.[2] Edmonds also helmed the drum programming (along with the production duo Trackmasters), synthesizer, and wurlitzer sounds, while Michael Thompson played the guitar.[2] "Bassy" Bob Brockmann mixed the track; recording was overseen by Brad Gilderman.[2] The record was from a number of songs Edmonds specifically penned for the soundtrack of Forest Whitaker's 1995 romantic drama film Waiting to Exhale, starring Whitney Houston and Angela Bassett.[3] Musically, songs from fellow R&B singer Aaliyah's debut album Age Ain't Nothing but a Number (1994) served as an inspiration while starting the song idea for "Sittin' Up in My Room".[3] Edmonds finished most of the demo on his Los Angeles house, before Norwood came over for recording.[3] Commenting on the recording process, Norwood later elaborated: “I was going crazy with my vocal runs because I really wanted to impress Babyface. I knew how to pull back, but it was one of those things where I thought, ‘This is my chance!’ I always wanted to work with Babyface going back to ["Tender Lover"] [...] Actually, he was the most legendary producer that I had worked with to that point. So when I was recording ‘Sittin’ Up In My Room,’ I was thinking, ‘This is my chance to show Babyface that I could sing!’ But he was like, ‘You don’t have to do all of that. Just sing, baby. Just keep your vocals simple.’”