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Assistant Curator of Sculpture Giulio Dalvit joins Curator Aimee Ng to investigate the history of the vibrant red pigment in El Greco’s sixteenth-century painting of Saint Jerome. The pigment is derived from crushed cochineal insects, sourced from the Central and South American colonies then under the control of El Greco’s adopted Spain. The Frick's temporary move to Frick Madison has prompted new ways of looking at our works of art. The reframing of the collection sheds light on the fact that the Frick's art, although predominantly European, is undeniably linked to the world beyond Europe. In this series, we're exploring some of these stories, asking "where in the world" we can find new connections to familiar objects. To view the El Greco painting in detail, please visit our website: https://www.frick.org/grecojerome Producers: Giulio Dalvit, Aimee Ng, Alexis Light Production Advisor: Patricia Kilbride Director/Editor: Lisa Goble Director of Photography: George Koelle Audio Production: Sean Troxell, David Morneau Original Music: George Koelle Editorial: Noah Purdy, Christopher Hopkins Research Assistance: Gemma McElroy © 2021 The Frick Collection