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Act I: Sempre libera excerpt : "Amor, amor è palpito" ... "dee volar il pen[sier]" Marcella Sembrich (s), Violetta Carlo Dani (t), Alfredo Metropolitan Opera Orchestra Luigi Mancinelli, conductor February 27, 1903 In 1900-01, the season's only performance of La Traviata starred Nellie Melba. After she left the company, Marcella Sembrich succeeded to the part, which she had first sung at the house nearly two decades earlier, during its opening season; she gave one performance in 1901-02, four in 1902-03 (three of them prior to the first of the year). Mapleson captured souvenirs of both these Violettas. Melba's: • Nellie Melba - Un dì felice (LIVE fragment... More about the Mapleson Cylinders: https://en.wikipedia.org/wiki/Mapleso... ..................................... This channel is primarily about vocal emission—aural examples of basically correct singing, correct impostazione—chiaroscuro, vowel clarity, firm and centered pitch, correct vibrato action, absence of throatiness or thickness, sounds free from constriction and from the acoustic noise that accompanies it—with occasional video examples that demonstrate what the body, face, mouth, jaw, and tongue look like when used with correct impostazione—the vocal emission of the one and only Italian school. Caveat: I'm biased in favor of baritones and baritone literature, but if you want to learn about and listen to all the greatest singers in the old-school tradition, explore this spreadsheet (voice parts are separated by tabs): https://bit.ly/2W4qmE3